Wood Mgazine

Harmonic Oasis (2002). In February 2002 Kevin Wood released his debut CD, "Scenic Listening". Each song on this album takes you to a different setting, such as a cathedral, a mountainside, a waterfall, etc. "Scenic Listening" earned the #4 top-album on the NAV Airwaves Chart, and is now licensed with Orange Music under the revised title name, "Harmonic Oasis". "Harmonic Oasis" stimulates the senses with artfully woven tribal grooves, Gregorian chants, and beautiful melodies. Rich string harmonies and fluid piano conjure vivid images and lush mindscapes.
Sacred (2006). Gregorian Chant, Native American voices, and various world vocals are artfully woven to create a rich tapestry of music that channels the wisdom of the ages. Let the rhythms, the beautiful melodies, and the ancient voices transport you to a place of wisdom, peace, and sanctity - to a place that is truly… Sacred.

The finest compilation of Roy Wood's work to date, drawing on his closing years with The Move, his sole album with Electric Light Orchestra, the biggest hits of Wizzard, and Wood's official solo albums and singles.

Six years after its initial appearance, Ronnie Wood's fifth solo album, Slide on This, is reissued by KOCH International in a deluxe package. There is one bonus track, a remixed version of the leadoff song, "Somebody Else Might," but the real draw to this version of the album is the 56-page booklet packaged with it, which contains examples of Wood's painting. He takes as his subjects his fellow members of the Rolling Stones, along with other musical peers such as Pete Townshend and Keith Moon of the Who, the Edge from U2 (who contributes some guitar work to the album), and Bob Dylan, as well as music legends like Bessie Smith, Billie Holiday, Jimi Hendrix, and Jim Morrison, and even a few animal portraits.

Harmonic Oasis (2002). In February 2002 Kevin Wood released his debut CD, "Scenic Listening". Each song on this album takes you to a different setting, such as a cathedral, a mountainside, a waterfall, etc. "Scenic Listening" earned the #4 top-album on the NAV Airwaves Chart, and is now licensed with Orange Music under the revised title name, "Harmonic Oasis". "Harmonic Oasis" stimulates the senses with artfully woven tribal grooves, Gregorian chants, and beautiful melodies. Rich string harmonies and fluid piano conjure vivid images and lush mindscapes.
Sacred (2006). Gregorian Chant, Native American voices, and various world vocals are artfully woven to create a rich tapestry of music that channels the wisdom of the ages. Let the rhythms, the beautiful melodies, and the ancient voices transport you to a place of wisdom, peace, and sanctity - to a place that is truly… Sacred.

The second part of a trilogy of live albums paying tribute to Ronnie Wood's early musical inspirations, Mr. Luck: A Tribute to Jimmy Reed – Live at Royal Albert Hall captures a November 1, 2013 concert at Royal Albert Hall. Mick Taylor sits in with the Ronnie Wood Band, while Bobby Womack, Paul Weller, and Mick Hucknall all take a turn in the spotlight – enough guests to grab the attention of the curious but not enough to overwhelm the proceedings. What happened on the stage was a spirited, loving tribute to the great bluesman Jimmy Reed, whose boogies and shuffles are easy to play and tricky to master. Wood and Taylor have long since absorbed the intricacies of the interplay of Reed and Eddie Taylor, staying faithful to the spirit and opening up the blues to a wealth of solos, including some appropriately greasy harp. There are no reinventions here, but there didn't need to be: saluting Jimmy Reed with just the right amount of heart and humor makes Mr. Luck a rocking good time.

The gargantuan, galumphing Super Active Wizzo band out of his system, Roy Wood returned to the light, sunny oldies of Eddy & the Falcons with 1979's On the Road Again. As the title makes clear, On the Road Again is Roy Wood's version of a road album, the kind of record that was created on the road to be played on the road – that would be true if Wood were a conventional musician, but he's not, as this was not supported by a large tour and didn't even see a release in his native U.K. Therefore, this record is merely the yin to Super Active Wizzo's yang, a record that is about pop songs instead of instrumental interplay.

Wood's mission was straightforward enough here: promote his album of the time, Slide on This, before raiding the Faces' treasure trove and solo standards like "I Can Feel the Fire" and "Am I Grooving You," the latter done with sassily funky aplomb. Don't expect any surprises; you know Wood's guitar will charge out front, with some type of Hammond organ or boogie-woogie piano banging away behind him. Anyone who got this album originally knew what they wanted and what they'd be getting. Four songs capably hoist the banner for Slide on This: "Testify," "Show Me," "Josephine," and the shimmering ballad "Breathe on Me," where vocalist Bernard Fowler truly excels.