The finest compilation of Roy Wood's work to date, drawing on his closing years with The Move, his sole album with Electric Light Orchestra, the biggest hits of Wizzard, and Wood's official solo albums and singles.
Six years after its initial appearance, Ronnie Wood's fifth solo album, Slide on This, is reissued by KOCH International in a deluxe package. There is one bonus track, a remixed version of the leadoff song, "Somebody Else Might," but the real draw to this version of the album is the 56-page booklet packaged with it, which contains examples of Wood's painting. He takes as his subjects his fellow members of the Rolling Stones, along with other musical peers such as Pete Townshend and Keith Moon of the Who, the Edge from U2 (who contributes some guitar work to the album), and Bob Dylan, as well as music legends like Bessie Smith, Billie Holiday, Jimi Hendrix, and Jim Morrison, and even a few animal portraits.
A few of these small choral gems are well known to amateur choirs, and Poulenc's secular choral pieces are more often presented one at a time on choral albums than in the groupings in which they were originally included. Francis Poulenc: Secular Choral Music offers the composer's very first choral piece, the Chanson à boire for men's voices (1922), but most of the music here dates from either the late '30s (the Petites voix, for female or children's voices, and Sept chansons) or the World War II era (Un soir de neige), the folk-song settings entitled Chansons françaises, and the ambitious Figure humaine, whose final number, "Liberté," was dropped in sheet music form over French cities by Britain's Royal Air Force. Someone once described Poulenc as "part monk, part hooligan," and these a cappella choral works give evidence of both tendencies. The Chansons françaises are cheerful pieces with just a shade of extended harmony, almost French counterparts to Bartók's folk song settings, while the more serious pieces, such as "Un chien perdu" (A Lost Dog), from the Petites voix, have a mystical tinge that links them strongly with Poulenc's better-known sacred choral music.
The second part of a trilogy of live albums paying tribute to Ronnie Wood's early musical inspirations, Mr. Luck: A Tribute to Jimmy Reed – Live at Royal Albert Hall captures a November 1, 2013 concert at Royal Albert Hall. Mick Taylor sits in with the Ronnie Wood Band, while Bobby Womack, Paul Weller, and Mick Hucknall all take a turn in the spotlight – enough guests to grab the attention of the curious but not enough to overwhelm the proceedings. What happened on the stage was a spirited, loving tribute to the great bluesman Jimmy Reed, whose boogies and shuffles are easy to play and tricky to master. Wood and Taylor have long since absorbed the intricacies of the interplay of Reed and Eddie Taylor, staying faithful to the spirit and opening up the blues to a wealth of solos, including some appropriately greasy harp. There are no reinventions here, but there didn't need to be: saluting Jimmy Reed with just the right amount of heart and humor makes Mr. Luck a rocking good time.
Collects five of his original albums, in card LP replica sleeves! Features The Move's "Message From The Country" (1971), ELO's "Electric Light Orchestra" (1971) and Wizzard's "Wizzard Brew" (1973), plus his solo releases "Boulders" (1973) and "On The Road Again" (1979). Roy Wood is an English singer-songwriter and multi-instrumentalist. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. The BBC has described Wood as being "responsible for some of the most memorable sounds of the Seventies" and "credited as playing a major role in the Glam Rock, Psychedelic and Prog Rock movements". In 2008, Wood was awarded an honorary doctorate for his contribution to rock and pop by the University of Derby. In 2015, his long and eclectic career was recognised with the "Outer Limits" award at the Progressive Music Awards in London. Wood was inducted into the Rock and Roll Hall of Fame in 2017 as a member of Electric Light Orchestra.