Woody Allen Bananas

Bullets Over Broadway - by Woody Allen (1994)

In 1920s New York, a struggling playwright is forced to cast a mobster's talentless girlfriend in his latest drama in order to get it produced.

One of Woody Allen's earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country's dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen's later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides.

Fielding Mellish (a consumer products tester) becomes infatuated with Nancy (a political activist). He attends demonstrations and tries in other ways to convince her that he is worthy of her love, but Nancy wants someone with greater leadership potential. Fielding runs off to San Marcos where he joins the rebels and eventually becomes President of the country. While on a trip to the states, he meets Nancy again and she falls for him now that he is a political leader.

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship – but not before Alvy gets in a few digs at vacuous, mantra-fixated California.