Writing That Works Langan

Exploring Writing: Paragraphs and Essays, 4th Edition  eBooks & eLearning

Posted by IrGens at Sept. 2, 2019
Exploring Writing: Paragraphs and Essays, 4th Edition

Exploring Writing: Paragraphs and Essays, 4th Edition by Zoé L. Albright, John Langan
English | January 7, 2019 | ISBN: 007353479X | PDF | 752 pages | 30.75 MB

The Longman Writer: Rhetoric, Reader, and Research Guide, 10th Edition  eBooks & eLearning

Posted by First1 at Nov. 19, 2023
The Longman Writer: Rhetoric, Reader, and Research Guide, 10th Edition

The Longman Writer: Rhetoric, Reader, and Research Guide, 10th Edition by Judith Nadell, John Langan
English | January 10th, 2017 | ISBN: 0134407644 | 627 pages | True PDF | 16.16 MB

For one- or two-semester, first-year composition - rhetoric courses.
Randall Behr, Orchestra of the San Francisco Opera, Marilyn Horne -  Vivaldi: Orlando furioso (2016/1989) [BDRip]

Randall Behr, Orchestra of the San Francisco Opera, Marilyn Horne - Vivaldi: Orlando furioso (2016/1989) [BDRip]
BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 147 min | 7,96 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 16 bits
Classical | Arthaus Musik | Sub: English, German, French, Italian, Spanish

Antonio Vivaldi wrote hundreds of largely famous instrumental works, and his glorious church music is well known; but it wasn’t until recent decades that his operas – of which he is said to have created more than fifty – were resurrected. Orlando furioso occupies a central and very significant place among Vivaldi’s works. Not only does the whole score of this opera demonstrate its composer’s full, creative maturity, but its outstanding features are also an extraordinary musical beauty, an attractive recitative line and a balance thus created between the various parts of the dramatic and musical whole. This exceptional musical achievement was no doubt partly due to the famous theme of the original story, as well as the literary and dramatic qualities of a fi rst-rate libretto. Pier Luigi Pizzi’s 1979 production of Orlando furioso in Verona marked the beginning of contemporary international interest in Antonio Vivaldi’s operas. Ten years later the same director once more produced this work at the San Francisco Opera, where it was a great success.