Chopin shaped his two extended cycles of études into a pianistic cosmos that has a unique place in the literature for piano. The études for solo piano feature many technical possibilities composed with an accomplished sense of style. However, the main focus in each of the compositions is musical expression. Mechanical passages are nowhere to be found. The rich timbres of Chopin’s virtuosity thus emerge as the basis for a nuanced tonal world blending Romantic sensibility with a manneristic stylistic approach. All in all: Chopin's études constitute a separate musical domain. They go beyond their own limits, reflecting on numerous other works by the composer in order to establish themselves as “stylistically anchored pillars” within his piano aesthetics. Chopin redefined the genre. Without his pianistic and tonal innovations, the originality of later études – one need only think of Liszt, Rachmaninoff, Scriabin, Debussy and Ligeti – would probably be unimaginable.
Premier opus d'une saga historique mettant en scène un couple d'enquêteurs.
Louis XI règne depuis deux ans et déjà des troubles agitent le royaume. Trois paysannes disparaissent dans une forêt enneigée. Deux jours plus tard, c’est une famille entière qui est sauvagement massacrée…
"Les Pirates de L'Estuaire" est la deuxième enquête de Thomas Russ. "Les Loups du Pontet" le lançait sur des chemins enneigés où meurtres et disparitions mettaient en péril un paisible village, cette fois, après l'abordage d'un navire marchand, Paula et Thomas doivent enquêter à Bristol. L'Angleterre de la fin du XVème siècle vit une époque tout aussi trouble que la France d'après la guerre de cent ans, et mystères, complots et dangers les menacent plus que jamais…
Fabio Biondi and Europa Galante expand the Vivaldi edition with the eleventh volume of violin concertos bearing the name of one of the most famous interpreters of the early eighteenth century: Anna Maria. Hailed as a "child prodigy" and outstanding artist of the Ospedale della Pietà, where Vivaldi taught for forty years, Anna Maria was an accomplished violinist, but also mastered the viola d'amore and theorbo, as well as the harpsichord, cello, lute, and mandolin. Her reputation spread throughout Europe, and we know that Vivaldi dedicated at least twenty-four concertos to her.
Fabio Biondi and Europa Galante expand the Vivaldi edition with the eleventh volume of violin concertos bearing the name of one of the most famous interpreters of the early eighteenth century: Anna Maria. Hailed as a "child prodigy" and outstanding artist of the Ospedale della Pietà, where Vivaldi taught for forty years, Anna Maria was an accomplished violinist, but also mastered the viola d'amore and theorbo, as well as the harpsichord, cello, lute, and mandolin. Her reputation spread throughout Europe, and we know that Vivaldi dedicated at least twenty-four concertos to her.