Yee Sar Yway Nee

Director: Chung Man Yee
Scruffy but irresistibly attractive Yau Muk-yan, without a job or a place to live, moves in with sensitive, shy piano tuner Chan Kar-fu. Both are disturbed, then obsessed, by the amateurish piano playing of upstairs neighbour Mok Man-yee. Obsession turns to romance, and romance to fantasy. The film is structured in four "movements": two themes (Yau Muk-yan, Mok Man-yee), a duet (Yau Muk-yan & Mok Man-yee), and a set of variations (a wild fantasy of Chan Kar-fu in his new novel).

Director: Chung Man Yee
Scruffy but irresistibly attractive Yau Muk-yan, without a job or a place to live, moves in with sensitive, shy piano tuner Chan Kar-fu. Both are disturbed, then obsessed, by the amateurish piano playing of upstairs neighbour Mok Man-yee. Obsession turns to romance, and romance to fantasy. The film is structured in four "movements": two themes (Yau Muk-yan, Mok Man-yee), a duet (Yau Muk-yan & Mok Man-yee), and a set of variations (a wild fantasy of Chan Kar-fu in his new novel).

Scruffy but irresistibly attractive Yau Muk-yan, without a job or a place to live, moves in with sensitive, shy piano tuner Chan Kar-fu. Both are disturbed, then obsessed, by the amateurish piano playing of upstairs neighbour Mok Man-yee. Obsession turns to romance, and romance to fantasy. The film is structured in four "movements": two themes (Yau Muk-yan, Mok Man-yee), a duet (Yau Muk-yan & Mok Man-yee), and a set of variations (a wild fantasy of Chan Kar-fu in his new novel).

Director: Jingle Ma
Phillip, a dance instructor who holds a class devoted to the latest dance craze, Para Para. While in Shanghai, Phillip meets Yee, a spoiled rich girl who is running away from her impending arranged marriage. Soon, Yee begins using Phillip's dance studio as a sanctuary from her responsibilities, and an attraction begins to form between the two. However, Yee is called back to Japan to be married before long, and Phillip must use more than his dance skills and charisma to prevent her from taking her vows.

Director Cha Yuen Yee (Once Upon a Time in Triad Society) delivers tense psychological drama and thrilling action in Theft Under the Sun!…

Phillip, a dance instructor who holds a class devoted to the latest dance craze, Para Para. While in Shanghai, Phillip meets Yee, a spoiled rich girl who is running away from her impending arranged marriage. Soon, Yee begins using Phillip's dance studio as a sanctuary from her responsibilities, and an attraction begins to form between the two. However, Yee is called back to Japan to be married before long, and Phillip must use more than his dance skills and charisma to prevent her from taking her vows.

What happens when the “sister” you grow up with at an orphanage ends up taking your life and becoming your biggest professional rival? Geum Sa Wol (Baek Jin Hee) and Oh Hye Sang (Park Se Young) arrived at an orphanage on the same day and grew up like close sisters. But Hye Sang is adopted by Oh Min Ho (Park Sang Won) and Han Ji Hye (Do Ji Won) and ends up living a very comfortable life. But things get complicated because Min Ho’s first love, Shin Deuk Yee (Jun In Hwa), who happens to be Ji Hye’s best friend, secretly gave birth to his daughter, but the baby girl was accidentally switched at the hospital with another baby. Deuk Yee ends up marrying Kang Man Hoo (Son Chang Min), the family driver who throws away his first wife, Choi Ma Ri (Kim Hee Jung), to have a better life with Deuk Yee. Ma Ri becomes a mistress in Man Hoo’s new life but her son, Kang Chan Bin (Yoon Hyun Min), is raised as the legal son of Deuk Ye. While Chan Bin tries his hardest to be the dutiful son, Joo Se Hoon (Do Sang Woo), the son of a moneylender, is the opposite, trying to escape the life that his father created for him. When the truth comes out about Sa Wol and Hye Sang, can the two former orphanage sisters find their true place in life?