Yes 2021

Esoteric Recordings are pleased to announce the release of PASSING THROUGH – THE COMPLETE STUDIO RECORDINGS, a 6CD boxed set by the unsung heroes of British early ‘70s rock, HELP YOURSELF.

Four CD set. With 12 UK Top 10 singles, 29 Top 40 hits and a combined 280 weeks (over five years!) in the UK charts Hot Chocolate are one of the most successful chart acts of all time. This box set features every A and B-side they issued on the seminal RAK Records label, all 36 singles. Hot Chocolate chalked up at least one hit single every year between 1970 and 1984, a rare achievement and they are among the Top 200 most successful UK chart artists of all time. Unlike many UK 'pop' acts of the day they scored chart success in the USA where 'Emma' (#3), 'Disco Queen' (#28), 'You Sexy Thing' (#3), 'So You Win Again' (#31), and 'Every 1's A Winner' (#6) were all Billboard Top 40 hits. 24 of these singles were also chart entries in Germany while eight of them went Top 20 in Australia, the band scoring hits across most of Europe as well.

Nostalgia is a powerful tool. It’s been 16 years since the release of the album, but I easily remember what those days surrounding the release of the record were like. The excitement, the ambition, the comradeship, the triumphant tour to come, it was all there, about to carry the band to another level, musically and journey wise. “Once” instantly became Nightwish’s watershed album.

Beautiful Garbage is the third studio album from Garbage, initially released on October 1, 2001. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups. This brand new edition featuring newly remastered audio by Billy Bush & Butch Vig. Triple CD version features original album, b-sides, demos and remixes housed in a deluxe clamshell.

57 Tracks/20 Never before on CD/12 Previously unreleased performances. Remastered from Analog tapes. Texas bluesman Lightnin’ Hopkins career was both long and fruitful. He performed live for six decades and recorded for over 30 years amassing a catalogue that was larger than almost any of his contemporaries. Not only was he prolific but he was also a great raconteur and a very good live performer with an ‘act’ honed to perfection at pre-war dances and parties. His guitar playing was unconventional, some have even called it ragged, but it is not as a guitarist that he will be remembered. Somehow the way he set his songs seemed totally apposite and it gave everything he did an authenticity that few others were ever able to match.

Though chamber music is incontestably the least well-known component of his corpus, Camille Saint-Saëns was a master of the genre, leaving us with a large collection of works. We may think of Saint-Saëns as a conservative and very academic composer. And yet, we would be well advised to remember that he was, in fact, a pioneer. Even as a young man, Saint-Saëns delved into chamber music instead of opera, the conventional form for an up-and- coming musician. He composed chamber music throughout his life - through to the final woodwind sonatas in 1921 - restoring luster to the form which, in France, had been all but forgotten.