Yess Dts

The first thing to note about the DTS version of Every Breath You Take - The Classics is that it's not an entirely faithful port of the original 1995 A&M CD release. Two tracks have been omitted entirely from the DTS release - Don't Stand So Close to Me '86 and the new "classic rock mix" of Message in a Bottle (tracks 13 & 14 respectively on the original CD). But there's one other important difference that may come as a surprise to fans. During The Police's aborted 1986 attempt to reform for a sixth studio album, the original plan was to record entirely new material. But, egos and tensions within the band being what they were, Sting was less than enthusiastic about the project and had written no new songs. What's more, Stewart Copeland arrived at the recording studio with a broken collar bone, the result of a polo accident. So the idea of a new album was abandoned and a decision was made to simply revisit a pair of tracks for a greatest hits release. The resulting tracks were disastrous by any measure (despite being a fascinating record of the final self-destruction of the band). The first of these (featuring Copeland on electronic drum machine) was the aforementioned Don't Stand So Close to Me '86. But the other track, which ultimately went unreleased, was De Do Do Do, De Da Da Da '86. Unreleased until now that is, because that's the version of the song that you'll find on this DTS release.----review by

At Fillmore East is the 1971 album by the Allman Brothers Band. The quadraphonic mix was released in 1974 and sounds incredible. The album is mixed where you find yourself in the center with the drummers while the band surround you accordingly. The DTS disc was released in 2001.

Between Nothingness and Eternity is the first live album and last with the original line-up, released in 1973. It was recorded live at the Schaefer Music Festival, held in Central Park, New York on Aug 17 and 18, 1973. It features the material from the then unreleased album which surfaced in 1999, as "The Lost Trident Sessions".
For being a NYC audience they behaved quite well, not being very noisy or rowdy.
The Music here is Mahavishnu at its best.

Another great surround mix from the EMI engineers.
This was a lucky find since EMI did not release these Quad recordings on CD, but , they did license it to Disky.