Where does one begin upon contemplating the vast discography of this master guitarist/lutenist? Well, why not let the artist himself guide you? Bream hand-picked his personal favorites for this 10-album collection, a limited-edition set featuring facsimile LPs with original cover artwork and labels as well as a greatly detailed booklet full of discography notes. His RCA debut The Art of Julian Bream joins his sensational J.S. Bach: Lute Suites, Nos. 1 & 2 , his very popular Romantic Guitar , his famous concert album Julian Bream and John Williams Live and the equally esteemed 20th Century Guitar .
For one day only on 12 December 2023, Theatre Royal Drury Lane played host to My Favorite Things: The Rodgers and Hammerstein 80th Anniversary Concert, featuring a 40-piece orchestra and international stars of the stage and screen, including Joanna Ampil, Michael Ball, Daniel Dae Kim, Maria Friedman, Audra McDonald, Julian Ovenden, Lucy St. Louis, Aaron Tveit, Marisha Wallace and Patrick Wilson!
For one day only on 12 December 2023, Theatre Royal Drury Lane played host to My Favorite Things: The Rodgers and Hammerstein 80th Anniversary Concert, featuring a 40-piece orchestra and international stars of the stage and screen, including Joanna Ampil, Michael Ball, Daniel Dae Kim, Maria Friedman, Audra McDonald, Julian Ovenden, Lucy St. Louis, Aaron Tveit, Marisha Wallace and Patrick Wilson!
Although recorded in sessions in 1962 and 1965, this set of Richard Rodgers tunes by the Dave Brubeck Quartet has a strong unity about it due to the consistent performances of the veteran group. With altoist Paul Desmond and the pianist-leader contributing some fine solos (and bassist Eugene Wright and drummer Joe Morello excellent in support), The Rodgers songs are treated with respect and swing. This comparatively gentle version of "My Favorite Things" would never be mistaken for John Coltrane's.
In the context of the decades since his passing and the legacy that's continued to grow, John Coltrane's Selflessness album bears an odd similarity to Bob Dylan's autobiographical book Chronicles. In Chronicles, Dylan tells the tale of his beginnings, jumping abruptly and confoundingly from his early years to life and work after his 1966 motorcycle accident, omitting any mention of his most popular and curious electric era. The contrast between these two eras becomes more vivid with the deletion of the years and events that bridged them. Released in 1965, Selflessness presents long-form pieces, likewise from two very distinct and separate eras of Coltrane's development.