Have you ever wondered what the definition of underground music is? Look no further. The PLASTIC PEOPLE OF THE UNIVERSE /PPU/ were exactly that. While the western "underground" bands of the 60s and 70s might have looked a bit freaky, or were simply stoned enough to slightly shock the establishment, the PPU were jailed by the Czechoslovak communist regime solely because they dared to play their music for a bunch of long-haired fans. Nothing more, nothing less, but indirectly causing an immense political effect for the years to come. Due to all the hurdles, the PPU remained in the underground until 1988. Our collection brings together their best tracks from nearly two decades, presented in genuine fidelity underground quality.
Kim Vincent Fowley (July 21, 1939 – January 15, 2015) was an American record producer, singer and musician. He is best known for his role behind a string of novelty and cult pop rock singles in the 1960s, and for managing the Runaways in the 1970s.In addition, he is credited with being the inspiration behind promoter John Brower's call to John Lennon that resulted in the last-minute appearance of the Plastic Ono Band at the Toronto Rock and Roll Revival on September 13, 1969, where Fowley was the emcee. At this event, Fowley also created the iconic experience of having the audience light matches and lighters to welcome a nervous John Lennon to the stage.
Ford's 20 track album release, "Resurrected: The Best Of And Then Some" has been met with accolades, and highlights Ford's superb vocals, lyrical ability and instrumentation – including title track, "Resurrected," "Acoustic Sunrise," "Going Back," and a fantastic covers of Lou Reed's "A Perfect Day," and Geoff Stephens' "The Crying Game." Ford has also picked up the ukelele, adding a new element to his music. As a British singer, songwriter, guitarist, bass player, producer and recording artist, John Ford's talent has made an enduring impact in music and pop culture through the years. Ford's versatile live performance shifts easily from Solo Acoustic, to fronting a full electric band.
This collection features works by various luminaries in the international avant-garde performing works by or in memoriam of the iconoclastic composer John Cage. Performances range from David Tudor's electronic explorations to Patrick Moraz's performance of Cage's "Dances for Prepared Piano." The irony will not be lost on fans of Cage's work that a recorded tribute album for a composer who disliked the recorded medium is at best a strange tribute.
Canned Heat rose to fame because their knowledge and love of blues music was both wide and deep. Emerging in 1966, Canned Heat was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. Hite took the name “Canned Heat” from a 1928 recording by Tommy Johnson. They were joined by Henry “The Sunflower” Vestine, another ardent record collector who was a former member of Frank Zappa’s Mothers of Invention. Rounding out the band in 1967 were Larry “The Mole” Taylor on bass, an experienced session musician who had played with Jerry Lee Lewis and The Monkees and Adolfo “Fito” de la Parra on drums who had played in two of the biggest Latin American bands, Los Sinners and Los Hooligans.
Free Hand was Gentle Giant's seventh album originally released in July 1975. This album was the most commercially successful of the band's career reaching the top 40 albums in Billboard Magazine. It stands as the culmination of the band's maturity, following the successes of 'In A Glass House' & 'The Power & The Glory'. Having toured Europe & North America non-stop in the years prior to this release with artists like Jethro Tull, Yes, Zappa etc, the band had gone from strength to strength…