Zelda Tears of The Kingdom

2CD set containing the biggest, boldest, booming voices of the 60s & 70s with a mixture of international and Australian artists. It contains classic songs from legendary artists and bands like Roy Orbison, Johnny Cash, Leonard Cohen, Small Faces, The Yardbirds, The Guess Who, Blood, Sweat & Tears and many more. It also features many Aussie rarities from SCRA, King Harvest, The Dave Miller Set, The Groop, Max Merritt & The Meteors, Jeff St. John, Jeff Duff and others - a total of 38 tracks. Compiled and annotated by Glenn A. Baker, noted Australian rock historian.

Although Uriah Heep is known for its extensive personnel changes, its lineup has been stable since the mid-'80s; unfortunately, that stability coincided with the band's commercial decline (its last album to chart in the U.S. came in 1983, its last in its native U.K., 1985). So, no one outside the group's fan base noticed that the quintet of founding member and guitarist Mick Box, drummer Lee Kerslake (1971-1978, 1982-2007), bassist Trevor Bolder (who joined in 1977, left during the band's hiatus in the early '80s, and returned a couple of years after its re-formation), singer Bernie Shaw, and keyboard player Phil Lanzon (both of whom joined in the mid-'80s) remained in place through numerous world tours and the studio albums Raging Silence (1989), Different World (1991), Sea of Light (1995), and Sonic Origami (1998).

Hafiz Burhan was most famous and celebrated artists in the his period. When we say Gazel (Lyrics), Hafiz Burhan first name in the mind. We lost many years ago made of this artist's recording a new album was released. He was born 1887, died in 1943 at a very young age. The sound was so powerful that the blast in the studio does not sound quite away from the microphone to read the song that is claimed. Artists, all his life, he worked for Columbia company. Close-to-face plate, literally during the 'bestsellers' was … And even a stylish car so they gave him their brother Blumenthal knowing. Hafiz Burhan had our first car, so the artists.

This collaboration between a consort of viols and the Greek lyra takes John Dowland’s Lachrimæ or Seaven Teares as its point of departure; together they paint a transverse and stateless picture of melancholy, although this is set against the joyful hope of a shining future that appears in these improvisations and timeless Anglo-Byzantine dances.

That William Parker is a bassist, composer and bandleader of extraordinary spirit and imaginative drive is common knowledge among any with an interest in the progressive jazz scene of the past 25 years or more. What’s become increasingly apparent, though, is Parker’s stature as a visionary of sound and song – an artist of melody and poetry who works beyond category, to use the Ellingtonian phrase. The latest multi-disc boxed set from Centering Records/AUM Fidelity devoted to Parker’s expansive creativity underscores his virtually peerless achievement in recent years.

This is the only official compilation album aknowledge by the band.