Zorn Valentine's Day

Above the album worked the Suntheca Music 'The Perfect Valentines Day ', and his release took place on 2020. The album has got 19 songs with a total duration of more than an hour. A compilation is a compilation of original music.

Above the album worked the Universal Music 'Valentines Day Mix ', and his release took place on 2020. The album has got 38 songs with a total duration of more than an hour. A compilation is a compilation of original music.

Broken Hearted On Valentine's Day was a 4-song EP released by the California garage rock/punk band The Lazy Cowgirls. They began in Indiana in 1985 before moving west and making an indie name for themselves before calling it a day in 2004, almost twenty years after their start. This was released by Sympathy For The Record Industry.

Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years. "For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly (featuring the nasty guitars of Bob Quine, Bill Frisell and Arto Lindsay); a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."

Zorn's first appearance at the world renowned Venice Biennale was a spectacular one - Invited to perform The Hermetic Organ at the famed 17th century Palazzo Pisano, he was surprised to find two small antique organs opposite one another on the small stage of its intimate concert hall - His performance that day was one of the very best Offices of The Hermetic Organ–a wild, acoustic affair that takes full advantage of the rich reeds, flutes, and horns of these two outstanding instruments. Zorn ran back and forth between them, manipulating the stops with remarkable imagination and agility. There are difference tones and sonic cross talk here that sound absolutely electronic. A spectacular addition to one of Zorn's very best CD series, now in its thirteenth volume.