Following 2004's Rancho Texicano: The Very Best of ZZ Top by a decade, The Very Baddest of ZZ Top comes in two different styles: a single-disc compilation with 20 tracks and a set that doubles it. The single disc is good, racking up most of the MTV-era hits – "Gimme All Your Lovin," "Sharp Dressed Man," "Legs," "Got Me Under Pressure," "Rough Boy," "Velcro Fly" – while doubling back for "La Grange, "Tush," "I Thank You," "Waitin' for the Bus," "Jesus Just Left Chicago," "I'm Bad, I'm Nationwide," and "Cheap Sunglasses."…
Since Rhino released an exhaustive four-disc ZZ Top box in October 2003, some may question the appearance of a double-disc retrospective in June 2004, a mere eight months after the box set. The two may be released awfully close to each other, but they do play to different audiences – in other words, there are a bunch of fans who want all the hits, but not a full box set, and that's what the 38-track Rancho Texicano: The Very Best of ZZ Top delivers…
Chrome, Smoke & BBQ is a box set by American blues-rock band ZZ Top, released in 2003. This box set is notable for using the original mixes for all of the tracks from the band's first five albums for the first time on the CD format. This box set, and the companion release Rancho Texicano, are the only two CD releases which feature original mixes from ZZ Top's First Album, Rio Grande Mud, and Tejas, aside from 1977's The Best of ZZ Top which features two tracks from Rio Grande Mud and one track from First Album. Tres Hombres and Fandango! were reissued in their original mixes in 2006.
Double Down Live is a 2 DVD set from ZZ Top combining shows from 1980 and 2008. Disc one was filmed at the Grugahalle in Essen, Germany for the Rockpalast TV series. Hot on the heels of their classic "Deguello" album (it features 9 of the 10 songs from it) the show finds ZZ Top before sequencers and synthesizers epitomizing their "lil' ol' blues band from Texas" nickname…
On Tejas, ZZ Top countrified the bluesy posture of their previous albums, resulting in a slight detour between the madcap spirit of Fandango and the psychedelic strut of Deguello. While the album lacks any singles as strong as "Tush" or "La Grange," "Arrested for Driving While Blind" is one of ZZ's classic anthems, capturing the group's wacky humor and jaunty good-time boogie…
ZZ Top's First Album may not be perfectly polished, but it does establish their sound, attitude, and quirks. Simply put, it's a dirty little blues-rock record, filled with fuzzy guitars, barrelhouse rhythms, dirty jokes, and Texan slang. They have a good, ballsy sound that hits at gut level, and if the record's not entirely satisfying, it's because they're still learning how to craft records – which means that they're still learning pacing as much as they're learning how to assemble a set of indelible material. Too much of this record glides by on its sound, without offering any true substance, but the tracks that really work – "(Somebody Else Been) Shaking Your Tree," "Backdoor Love Affair," "Brown Sugar," and "Goin' Down to Mexico," among them – show that from their very first record on, ZZ Top was that lil' ol' blues band from Texas.
ZZ Top closed out their tenure with London Records in late 1977 with The Best of ZZ Top, a basic but terrific ten-song retrospective of highlights from their first five albums (well, four, actually, since the underwhelming Tejas is ignored). There are no surprises here, just album rock favorites, which means it does draw heavily on Tres Hombres (four songs, total), adds Fandango's "Tush," "Blue Jean Blues," and "Heard It on the X" for good measure, then rounds it out with two songs from Rio Grande Mud and a selection from the debut. Yeah, there are a couple good album tracks missing, but as a ten-song summary of their early years, this can't be beat.
ZZ Top returned after an extended layoff in late 1979 with Degüello, their best album since 1973's Tres Hombres. During their time off, ZZ Top didn't change much – hell, their sound never really changed during their entire career – but it did harden, in a way. The grooves became harder, sleeker, and their off-kilter sensibility and humor began to dominate, as "Cheap Sunglasses" and "Fool for Your Stockings" illustrate. Ironically, this, their wildest album lyrically, doesn't have the unhinged rawness of their early blooze rockers, but the streamlined production makes it feel sleazier all the same, since its slickness lets the perversity slide forth. And, forget not, the trio is in fine shape here, knocking out a great set of rockers and sounding stylish all the time. Undoubtedly one of their strong suits.