"…The pianist, Chia Chou, deserves particular praise for his wide dynamic and tonal range: the arpeggiated patterns suggest reserves of tonal weight; elsewhere he articulates individual notes with a delicate, crystalline ping. Clear, warm, and appealing sound reproduction further enhances the proceedings. Enthusiastically recommended, particularly to devotees of the French Romantics." ~musicweb-international
Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre Cape jazz.
…Tanski’s talent makes the Variations de Concert an enjoyable closer. In this, the aria “Io son ricco e tu sei bella” from Donizetti’s Elisire d’Amore is given the usual 19th century virtuoso treatment by Henselt, but Tanski never gives in to flash. He evokes a broad range of emotions, always managing to keep things from becoming kitsch. By himself, Tanski is worthy of a warm recommendation…
…And, in fact, Elias has rarely been performed with greater respect for the original than it is here under the conductor Christoph Spering, who has recorded this “sacred opera” with his New Orchestra and the Chorus Musicus Köln in Essen’s Philharmonic Hall with the composer’s “dramatic ideal” fully in mind and heart. (…) The result was in fact an oratorio in opera form and a wealth of dramaturgical elements that absolutely enthralled the public. Fresh Interpretation Just as the composer would have wanted it, Christoph Spering has selected a full chorus and a magnificently dimensioned orchestra for this recording. The New Orchestra performs on historical instruments and in the two years since its founding has gained renown as an outstanding interpreter of the music of the romantic era. (…) Brisk tempos, sharp delineation, powerful expression, and interpretive freshness are the hallmarks of this new discovery for the MDG Live label.
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG