"late For The Sky"

Three CDs. Four-hour anthology of recordings that anticipated the late 70s Power Pop movement. Featuring Badfinger, Slade, The Move, Stealers Wheel, Pilot, Dave Edmunds, Brinsley Schwarz, Honeybus, The Kinks, The Who, etc. While the early 70s musical landscape in Britain was largely dominated by introspective singer/songwriters, Bubblegum Pop and underground Rock bands, a handful of acts bravely continued to pursue the classic mid-60s group sound. With the aid of increasingly sophisticated recording studios, they majored in crisp, muscular, hook-laden three-minute pop songs, bursting with chiming Rickenbacker guitars, irresistible choruses and Beatles/Beach Boys-inspired close harmonies. A few (Slade, Pilot, the ill-starred Badfinger) found commercial success, but the likes of Starry Eyed And Laughing, Shape Of The Rain and Octopus proved to be the right bands at the wrong time - too late for the British Invasion that had swept America in the mid-60s, too early to hitch a ride on the late 70s Power Pop bandwagon.

This is, perhaps, the one. Derek Trucks has been on an aesthetic quest for something since he began his own recording career in 1997 – apart from his membership in the Allman Brothers Band. Each record has gone further into establishing Trucks not only as a slide guitar wizard (that happened when he was still in his teens), but also as a serious songwriter, fine arranger, and bandleader. The Derek Trucks Band, as evidenced by the release of 2003's Soul Serenade, is a unit – a band – whose core has been together for eight years. They create an atmosphere, a sound, a musical sense of place and community.

Wisely, the Cure decided to start fresh upon signing with their new label in 2004 by cleaning house, remastering the old albums, and bringing their fans Join the Dots: B-Sides & Rarities, 1978-2001. Not only is it the ultimate companion to the official releases, but it is, in a way, the new-super-deluxe-updated version of that cassette release of Staring at the Sea. Every B-side is included, in order, with cleaned-up sound, liner notes, and explanations by the man who made it all happen. All tracks, from "10.15 Saturday Night" (the B-side to the debut single "Killing an Arab") to covers of "Hello, I Love You," "Purple Haze," and "World in My Eyes," to entries from the Bloodflowers singles, are an indication that while the Cure made both strong albums and singles, they were not afraid to experiment along the way, and more importantly, they didn't let pride keep them from not making them available to those who were willing to look for them…

Increasingly, and especially in a day and age where music is so widely and readily available thanks to advanced technologies, when a company or act wants to make a good box set, it had better deliver. To its credit, Beggars Banquet did just that with Rare Cult, an astoundingly comprehensive and entertaining collection that packs in 90 tracks over the course of six discs…

The Apocalypse Blues Revue - The new band from Godsmack’s Shannon Larkin and Tony Rombola announce new self titled album released on Provogue/Mascot Label Group. As the legend goes, Robert Johnson infamously started his career by meeting the Devil at the crossroads. By the same token, you could say Apocalypse Blues Revue began playing at the end of the world. Co-founded by Godsmack drummer Shannon Larkin and guitarist Tony Rombola and featuring vocalist Ray “Rafer John” Cerbone and bassist Brian Carpenter, the quartet honors blues traditions, while etching their stamp on the genre in blood.

Glacier are a melodic progressive rock band based in the North East of England and have been in existence since the late 70's early 80's. All music is their own original work.
"Island In The Sky" is their third studio album.