"rev"

Output Sounds REV v1.1 KONTAKT  Software

Posted by orientazure at April 23, 2015
Output Sounds REV v1.1 KONTAKT

Output Sounds REV v1.1 KONTAKT | 6.26 Gb

REV is not a "reverse" button like the one on your DAW or sampler. It’s a world of sound design for producers, composers and musicians based on reverse elements. Packed into 4 powerful engines with over 14gb of content.
Rev. Sekou - When We Fight We Win - Live In Memphis (Live) (2019)

Rev. Sekou - When We Fight We Win - Live In Memphis (Live) (2019)
MP3 CBR 320kbps ~ 174.97 Mb | 01:16:16 | Cover
Blues | Country: USA (Memphis, TN) | Label: Zent Records

Noted activist, theologian, author, documentary filmmaker, and musician, Reverend Osagyefo Sekou was born in St. Louis, Missouri and raised in the rural Arkansas Delta. Rev. Sekou's music is an unique combination of North Mississippi Hill Country Music, Arkansas Delta Blues, Memphis Soul and Pentecostal steel guitar. In May 2017, he released "In Times Like These” produced the six-time Grammy nominated North Mississippi Allstars. AFROPUNK heralded the ”deep bone-marrow-level conviction” of his first album, “The Revolution Has Come”. The single, “We Comin'”–was named the new anthem for the modern Civil Rights movement by the St. Louis Post-Dispatch. A consummate entertainer, Paste Studio celebrated his barn-burning performance saying: "Rev. Sekou delivers the spiritual performance we need now."

Output Sounds REV UPDATED KONTAKT  Software

Posted by orientazure at Feb. 26, 2017
Output Sounds REV UPDATED KONTAKT

Output Sounds REV UPDATED KONTAKT | 6.4 Gb

REV is not a "reverse" button like the one on your DAW or sampler. It’s a world of sound design for producers, composers and musicians based on reverse elements. Packed into 4 powerful engines with over 14gb of content.

Output Sounds REV v1.1.1 KONTAKT  Software

Posted by orientazure at Sept. 24, 2019
Output Sounds REV v1.1.1 KONTAKT

Output Sounds REV v1.1.1 KONTAKT | 6.56 Gb

REV is not a "reverse" button like the one on your DAW or sampler. It’s a world of sound design for producers, composers and musicians based on reverse elements. Packed into 4 powerful engines with over 14gb of content.

Martin Rev - Stigmata (2009)  Music

Posted by uff at Aug. 11, 2015
Martin Rev - Stigmata (2009)

Martin Rev - Stigmata (2009)
Electronic | 1cd | EAC Rip | Flac + Cue + Log | covers
Blast First Petite PTYT 040 | rel: 2009 | 170Mb

Forgive me, I think I’m suffering from that same old reviewer’s sickness of expecting an older musician to produce work of an identical boilerplate to his former band’s glory days. When I think of Suicide, I think eerie, pulsing synths courtesy of mad scientist Martin Rev, and the droning, monotonous mutterings of his comrade Mr. Alan Vega. And while it’s difficult to listen to Suicide’s self-titled masterpiece of a debut in 2010 and not think of all the bands they’ve clearly influenced (Raveonettes, I’m all but glaring in your direction), it’s still fairly easy to see how the innovation and pure audacity of the music may have shocked folks in 1977. Suicide was a perfect fit for the blossoming ‘downtown’ scene of late seventies New York, and an obvious root system for the enigmatic tree of No Wave to soon blossom.
Higher Power and Rev Theory - Set Me Free (2025) [Official Digital Download]

Higher Power and Rev Theory - Set Me Free (2025) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 19:09 minutes | 251 MB
Rock | Studio Master, Official Digital Download

Rev Theory (formerly known as Revelation Theory) is an American rock band formed in 2002 in Long Island, New York. The band has released five studio albums:

Martin Rev - Martin Rev (1980)  Music

Posted by uff at May 26, 2015
Martin Rev - Martin Rev (1980)

Martin Rev - Martin Rev (1980)
Electronic | 1cd | EAC Rip | Flac + Cue + Log | covers
ROIR, RUSCD 8279 | rem: 2002 | 420Mb

In 1980, shortly after Suicide’s second full-length, Martin Rev released his first solo album. Uninhibited by the trappings of a collaborator, Rev was freed to explore his most experimental and pop leanings with dirty synths, dark melodies, and dreamlike textures, and produced a masterpiece of modern alienation that captures a uniquely New York landscape.

Novelty Instrumentals of Rev. Gary Davis  eBooks & eLearning

Posted by ParRus at Dec. 27, 2018
Novelty Instrumentals of Rev. Gary Davis

Novelty Instrumentals of Rev. Gary Davis
DVD5 | English | VIDEO_TS | 720 x 480 | MPEG2 ~4000 kbps | 29.970 fps
AC-3 192 Kbps 48.0 KHz | 2 channels | 01:33:00 | 3.81 GB
Genre: eLearning Video / Guitar lesson

In this lesson Ernie Hawkins teaches three Rev. Davis arrangements that will challenge your fingers. Rev. Gary Davis’s tour de force in concert was his Soldiers March. This is a multipart instrumental played in the Key of F and C and is a showcase in demonstrating the genius of Rev. Davis’s playing and arranging skills.
Fred Neil - The Sky Is Falling: The Complete Live Recordings 1965-1971 (2004) {Rev-Ola CR REV 78}

Fred Neil - The Sky Is Falling: The Complete Live Recordings 1965-1971 (2004) {Rev-Ola CR REV 78}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 293 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1965-71, 2004 Rev-Ola / Cherry Red Records | CR REV 78
Rock / Folk Rock / Psychedelic / Country Folk Rock

Folk-rock obscurity Fred Neil is regularly touted as one of the movement's pioneering geniuses, and The Sky Is Falling: The Complete Live Recordings 1963-1971 puts his work into perspective for any doubters. Collecting his live 1971 swan song album, The Other Side of This Life (which counts celebrity guests like David Crosby, Gram Parsons, and Stephen Stills), and appending four early rarities taped from a Bitter End performance in 1963, this set bookends Neil's folk-rock career insightfully.
Martin Rev - The Sum of Our Wounds (Cassette Recordings 1973-85) (2023)

Martin Rev - The Sum of Our Wounds (Cassette Recordings 1973-85) (2023)
WEB FLAC (tracks) - 215 MB | MP3 CBR 320 kbps - 88 MB
35:21 | Electronic, Experimental | Label: Bureau B

Rev initially explored free jazz and similarly free forms of musical expression before discovering the magnetic attraction of electronic production and instrumentation, enabling him to create music in a wholly independent and autonomous environment. Using the most rudimentary equipment, he grafted the roots of rock’n’roll into the process of combining effects and devices to generate electrified sounds, the likes of which had never been heard before. This music would map out the way forward not only for Suicide, but also for a fascinating solo career.