"sculpting in Time"

In-depth intro into 3D Sculpting for character creation using Blender

Learn how to translate a 2D concept into a 3D miniature using ZBrush and KeyShot in this 4-hour workshop by Digital Sculptor Francesco Orru. This tutorial is intended for artists who already have some knowledge of digital sculpting in ZBrush and are ready to delve into the world of creating miniatures from concept art.

In this lecture, Environment Artist Nate Stephens will demonstrate how to model and sculpt assets to be assembled into a 3D environment. Starting with reference photography, Nate locks in on a concept for his environment before blocking in his scene layout in Maya and building reference objects that will be further refined and detailed in ZBrush.

A course designed to all levels for anyone interested in learning developing Hard Surface Sculpting Techniques

Learn Character Sculpting and Creation for Games

A course designed to all levels for anyone interested in learning developing Hard Surface Sculpting Techniques

Learn the concepts and fundamentals of creating appealing chacaters from real life references and photographs

Mirror is Tarkovsky's fourth of seven feature films and proceeds in a non-narrative, stream-of-consciousness form. The director mixes flashbacks, historical footage and original poetry to illustrate the reminiscences of a dying man about his childhood during World War II, adolescence, and a painful divorce in his family. The story interweaves reflections about Russian history and society.
Mirror has relevancy being numerically "central" in Tarkovsky's oeuvre also marking itself as, by the director's own account, 'My most openly autobiographical, daring, and self-revealing film'. Infused with dense, personal references from memory and an inaccessible use of time, space and performances, this is considered the director most artistically bold work being steeped in layered constructions. In examining his entire body of work this tends to be a catalyst of his vision of transcendency.