"the Kinks"

Face to Face was a remarkable record, but its follow-up, Something Else, expands its accomplishments, offering 13 classic British pop songs. As Ray Davies' songwriting becomes more refined, he becomes more nostalgic and sentimental, retreating from the psychedelic and mod posturings that had dominated the rock world. Indeed, Something Else sounds like nothing else from 1967. The Kinks never rock very hard on the album, preferring acoustic ballads, music hall numbers, and tempered R&B to full-out guitar attacks. Part of the album's power lies in its calm music, since it provides an elegant support for Davies' character portraits and vignettes. From the martial stomp of "David Watts" to the lovely, shimmering "Waterloo Sunset," there's not a weak song on the record, and several – such as the allegorical "Two Sisters," the Noël Coward-esque "End of the Season," the rolling "Lazy Old Sun," and the wry "Situation Vacant" – are stunners. And just as impressive is the emergence of Dave Davies as a songwriter. His Dylanesque "Death of a Clown" and bluesy rocker "Love Me Till the Sun Shines" hold their own against Ray's masterpieces, and help make Something Else the endlessly fascinating album that it is.

Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, is the eighth studio album by British rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies' strongest songs. Although it appeared during a transitional period for the Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album.

Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, is the eighth studio album by British rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies' strongest songs. Although it appeared during a transitional period for the Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album.

The Kinks One of the great bands of the rock & roll era, the Kinks pioneered hard rock with such wild early ravers as "You Really Got Me" and "All Day and All of the Night," singles that inspired such peers as the Who and David Bowie while also pointing the way forward for punk and metal. That turned out to be the first act in a career that ran into the 1990s, making them the only British Invasion band outside of the Rolling Stones to last that long. Where the Stones always occupied center stage, the Kinks operated on the margins, both by accident and design. Lead singer/songwriter Ray Davies fashioned himself as an observer of human behavior, developing a gift for character and commentary that flourished on such mid-'60s singles as "Dedicated Follower of Fashion" and "Sunny Afternoon."

BBC Sessions: 1964–1977 is a 2001 compilation album collecting live tracks recorded by British rock group The Kinks for the BBC.

One of the great bands of the rock & roll era, the Kinks pioneered hard rock with such wild early ravers as "You Really Got Me" and "All Day and All of the Night," singles that inspired such peers as the Who and David Bowie while also pointing the way forward for punk and metal. That turned out to be the first act in a career that ran into the 1990s, making them the only British Invasion band outside of the Rolling Stones to last that long. Where the Stones always occupied center stage, the Kinks operated on the margins, both by accident and design. Lead singer/songwriter Ray Davies fashioned himself as an observer of human behavior, developing a gift for character and commentary that flourished on such mid-'60s singles as "Dedicated Follower of Fashion" and "Sunny Afternoon."

The Kinks One of the great bands of the rock & roll era, the Kinks pioneered hard rock with such wild early ravers as "You Really Got Me" and "All Day and All of the Night," singles that inspired such peers as the Who and David Bowie while also pointing the way forward for punk and metal. That turned out to be the first act in a career that ran into the 1990s, making them the only British Invasion band outside of the Rolling Stones to last that long. Where the Stones always occupied center stage, the Kinks operated on the margins, both by accident and design. Lead singer/songwriter Ray Davies fashioned himself as an observer of human behavior, developing a gift for character and commentary that flourished on such mid-'60s singles as "Dedicated Follower of Fashion" and "Sunny Afternoon."

One of the great bands of the rock & roll era, the Kinks pioneered hard rock with such wild early ravers as "You Really Got Me" and "All Day and All of the Night," singles that inspired such peers as the Who and David Bowie while also pointing the way forward for punk and metal. That turned out to be the first act in a career that ran into the 1990s, making them the only British Invasion band outside of the Rolling Stones to last that long. Where the Stones always occupied center stage, the Kinks operated on the margins, both by accident and design. Lead singer/songwriter Ray Davies fashioned himself as an observer of human behavior, developing a gift for character and commentary that flourished on such mid-'60s singles as "Dedicated Follower of Fashion" and "Sunny Afternoon."