The Samurai of Prog are having a prolific run. A few short months after 2020‘s "Beyond the Wardrobe" album, the core trio of Marco Bernard, Kimmo Pörsti, and Steve Unruh are joined - as is their way - by a cast of contributing artists and writers, this time crafting an album inspired by The Brothers Grimm fairy tales. ("The Lady and the Lion" is the first of two Grimm-themed albums set to be released in 2021.) The Samurai have become known in progressive rock circles for their symphonic prog creations, which feature lush and varied keyboard sounds, powerful picked bass guitar, dynamic drums, virtuosic violin and flute, and always mixed and mastered for audiophiles. "The Lady and the Lion" features a terrific array of talent, including Ton Scherpenzeel and Bart Schwertmann (Kayak), Octavio Stampalía (Jinetes Negros), Cam Blokland (Southern Empire), Valerie Gracious (Phideaux)…
The A Night at the Opera Tour (advertised as A Night at the Opera with Queen) was a concert tour by Queen to promote A Night at the Opera. It spanned 1975 and 1976, and covered the UK, the US, Japan, and Australia. It marked the debut of "Bohemian Rhapsody", which would be played at every Queen gig thereafter.
Also in September 1976, already during the session of the album A Day At The Races, the band played several concerts in the UK. This little tour was called Summer '76.
Queen is a British rock band formed in London in 1971. The band has released a total of 18 number one albums, 18 number one singles and 10 number one DVDs, and have sold over 300 million albums worldwide, making them one of the world's best-selling music artists…
Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity…