Artistically and commercially, the Stevie Nicks/Lindsey Buckingham/Mick Fleetwood/Christine and John McVie edition of Fleetwood Mac had been on a roll for over a decade when Tango in the Night was released in early 1987. This would, unfortunately, be Buckingham's last album with the pop/rock supergroup – and he definitely ended his association with the band on a creative high note. Serving as the album's main producer, Buckingham gives an edgy quality to everything from the haunting "Isn't It Midnight" to the poetic "Seven Wonders" to the dreamy "Everywhere." Though Buckingham doesn't over-produce, his thoughtful use of synthesizers is a major asset. Without question, "Family Man" and "Caroline" are among the best songs ever written by Buckingham, who consistently brings out the best in his colleagues on this superb album.
Deathstars' style is known as "deathglam" among the fans (it was the working title of Night Electric Night), but the Occam's razor doesn't really warrant such a specific label, since the band basically plays bouncy pop industrial blended with a dose of goth metal (no big novelty, either). During their best - that's to say, most dynamic - moments, Deathstars are pretty similar to Rammstein, utilizing the same brand of simplistic heavy riffs and "get your tushy in gear" rhythms; the synth textures lend a grim, theatrical atmosphere to the music, and the vocalist (who goes by "Whiplasher Bernadotte") tips it all off with some deeply sinful crooning and occasional snarling. The lyrics are in English, not German, but it doesn't matter, since Deathstars aren't here to challenge Bob Dylan. What's more important is that Deathstars' flair for dark pomp never lets them become as recklessly ferocious as Rammstein…
Artistically and commercially, the Stevie Nicks/Lindsey Buckingham/Mick Fleetwood/Christine and John McVie edition of Fleetwood Mac had been on a roll for over a decade when Tango in the Night was released in early 1987…
Artistically and commercially, the Stevie Nicks/Lindsey Buckingham/Mick Fleetwood/Christine and John McVie edition of Fleetwood Mac had been on a roll for over a decade when Tango in the Night was released in early 1987. This would, unfortunately, be Buckingham's last album with the pop/rock supergroup – and he definitely ended his association with the band on a creative high note. Serving as the album's main producer, Buckingham gives an edgy quality to everything from the haunting "Isn't It Midnight" to the poetic "Seven Wonders" to the dreamy "Everywhere." Though Buckingham doesn't over-produce, his thoughtful use of synthesizers is a major asset. Without question, "Family Man" and "Caroline" are among the best songs ever written by Buckingham, who consistently brings out the best in his colleagues on this superb album.
Artistically and commercially, the Stevie Nicks/Lindsey Buckingham/Mick Fleetwood/Christine and John McVie edition of Fleetwood Mac had been on a roll for over a decade when Tango in the Night was released in early 1987…
Seminal contemporary jazz super group Special EFX mark their 35th year of recording and touring in 2017 with the release of Deep As The Night their 21st studio recording and first celebrating their recent partnership with the Trippin ‘N’ Rhythm record label. Formed in 1982 the as the brainchild of the duo of Chieli Minucci and George Jinda, the combination of Chieli’s edgy driving style and George’s sense for temperament and melody struck a perfect balance and the rise of a distinctive new and original sound that incorporated heavy percussive world elements fused with smart, energetic, playful and memorable guitar lines…
This 50 CD Box Set was released in 1996 by BMG Netherland. The set comes with a 94-page-book and a certificate of authenticity which says: " The Original Elvis Presley Collection has been compiled by BMG Nederland BV, authorized by RCA Records, the exclusive worldwide owner of Elvis Presley's sound recordings. - Elvis Presley is the greatest recording artist of all time." The box includes previously released original CD albums, only the cover art is different. This collector item was not sold in music stores. It was only available through a dutch book club.