"toshiie to Matsu"

Chart-breaking German folk rock institution SUBWAY TO SALLY have carved a unique live experience in stone with their upcoming release, Eisheilige Nacht: Back To Lindenpark, out on BluRay/DVD/CD on June 18, 2021 via Napalm Records.Since their foundation in the early '90s, SUBWAY TO SALLY have established themselves at the top of the scene…

Hologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. Hologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the on-going global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.

Karma to Burn released one of the most original hard rock albums of 1997 with its fantastic self-titled debut. The West Virginia combo is usually associated with the "stoner rock" scene because of its reliance on '70s-style hard rock riffs, but unlike most bands in that genre, Karma to Burn merely dabbles in fuzzy distortion and psychedelia…

Strip away all the hype, controversy, and attendant craziness surrounding Frankie – most of which never reached American shores, though the equally bombastic "Relax" and "Two Tribes" both charted well – and Welcome to the Pleasuredome holds up as an outrageously over-the-top, bizarre, but fun release. Less well known but worthwhile cuts include by-definition-camp "Krisco Kisses" and "The Only Star in Heaven," while U.K. smash "The Power of Love" is a gloriously insincere but still great hyper-ballad with strings from Anne Dudley. In truth, the album's more a testament to Trevor Horn's production skills than anything else.

Musically, this band is tough to describe. They are closest to stoner rock, but their instrumental nature and tendency to experiment place them a bit beyond the standards of that genre. With their uncompromising instrumental sound that echoes such desert rock bands as Kyuss and The Obsessed, they were not an easy band to fully understand, but surely an intriguing one. They unofficially disbanded in mid-2002. This special 3CD digipack anthology is limited to a numerated 1500 copies…

Few recording artists aspire to the stylistic purity of Karma to Burn, and nowhere is this fact better demonstrated than on the band's 2001 Spitfire release Almost Heathen. Even the title reinforces the near-decadence, and the strange but necessary elusiveness of artistic completeness. To say that Almost Heathen "rocks" would actually be a disservice to disc. It is more than a great record. It is form as function, the combination of craft and content, meditative, aloof, and sublime, if only for its singularity…

In many ways, Karma to Burn is like a psycho ex-girlfriend: you know she's no good for you, but you still love her anyway…

The most popular and successful lineup of Return to Forever – Chick Corea, Stanley Clarke, Lenny White, and Al Di Meola – was coming off the Grammy-winning No Mystery when it recorded its third and final album, Romantic Warrior. It has been suggested that in employing a medieval album cover (drawn by Wilson McLean), using titles like "Medieval Overture" and "Duel of the Jester and the Tyrant," and occasionally playing in a baroque style, particularly in Clarke's "The Magician," Corea was responding to Rick Wakeman's successful string of albums on similar themes…