Leading his own bands in the late '70s and early '80s, Ian Gillan continued to embrace music that, not surprisingly, was heavily influenced by his former band, Deep Purple. And he never sounded more Purple-ish than he does on Mr. Universe, which isn't quite on a par with Purple's Burn but is stronger than many of the albums the outfit had recorded after Gillan's departure (some of which were quite disappointing). This is Gillan at his most aggressive and passionately rockin'. Those with fond memories of his work with Purple will appreciate the testosterone-driven energy of "Vengeance," "Roller," and "Message in a Bottle." Headbangers shouldn't overlook this one.
Leading his own bands in the late '70s and early '80s, Ian Gillan continued to embrace music that, not surprisingly, was heavily influenced by his former band, Deep Purple. And he never sounded more Purple-ish than he does on Mr. Universe, which isn't quite on a par with Purple's Burn but is stronger than many of the albums the outfit had recorded after Gillan's departure (some of which were quite disappointing). This is Gillan at his most aggressive and passionately rockin'. Those with fond memories of his work with Purple will appreciate the testosterone-driven energy of "Vengeance," "Roller," and "Message in a Bottle." Headbangers shouldn't overlook this one.
At this point in his career, Ian Gillan really has nothing to prove to anyone in the rock world. He's created one of the most successful bands in the history of rock & roll, and has aged with a grace and class few of his contemporaries can rival. So it makes sense that Gillan's Inn is a relaxed affair and offers up a simple set of rock & roll without pretense or a bloated concept. Taking a cue from Santana's latest releases, a nonstop onslaught of guest appearances fills the rooms of Gillan's Inn, including Def Leppard's Joe Elliott, Joe Satriani, Roger Glover, Steve Morse, Jeff Healey, Uli John Roth, Ronnie James Dio, and Goo Goo Dolls pinup boy Johnny Rzeznik. The result is a 14-song session that's as much inoffensive fun as it is straight-ahead blues-tinged rock & roll.
What I Did on My Vacation is an official compilation album from Ian Gillan, released in 1986 in UK by 10 Records. The album covers Gillan's recordings between 1977 and 1982 and was released in three formats (2LP, CD, MC). All songs from the album had been previously released. Although not credited on the cover, "Scarabus" is preceded by an instrumental piece by Colin Towns, which was used as the intro to "On The Rocks" (from the Glory Road album).
At this point in his career, Ian Gillan really has nothing to prove to anyone in the rock world. He's created one of the most successful bands in the history of rock & roll, and has aged with a grace and class few of his contemporaries can rival. So it makes sense that Gillan's Inn is a relaxed affair and offers up a simple set of rock & roll without pretense or a bloated concept. Taking a cue from Santana's latest releases, a nonstop onslaught of guest appearances fills the rooms of Gillan's Inn, including Def Leppard's Joe Elliott, Joe Satriani, Roger Glover, Steve Morse, Jeff Healey, Uli John Roth, Ronnie James Dio, and Goo Goo Dolls pinup boy Johnny Rzeznik. The result is a 14-song session that's as much inoffensive fun as it is straight-ahead blues-tinged rock & roll.
At this point in his career, Ian Gillan really has nothing to prove to anyone in the rock world. He's created one of the most successful bands in the history of rock & roll, and has aged with a grace and class few of his contemporaries can rival. So it makes sense that Gillan's Inn is a relaxed affair and offers up a simple set of rock & roll without pretense or a bloated concept. Taking a cue from Santana's latest releases, a nonstop onslaught of guest appearances fills the rooms of Gillan's Inn, including Def Leppard's Joe Elliott, Joe Satriani, Roger Glover, Steve Morse, Jeff Healey, Uli John Roth, Ronnie James Dio, and Goo Goo Dolls pinup boy Johnny Rzeznik. The result is a 14-song session that's as much inoffensive fun as it is straight-ahead blues-tinged rock & roll.