Oscar François de Jarjayes was born female, but her father who longed for a son and a heir insisted she be raised as a boy, alongside, Andre Grandier, the grandson of her nanny. When Oscar matures into an adult she is selected to be captain of the guards at the Palace of Versailles under King Louis XVI and Marie Antonette. Oscar soon learns the problems of the monarchy and the plight of the poor which will eventually lead to the French Revolution. She also finds herself torn between her true love for the independent, but lower-class Andre and her duties as a member of aristocracy and a trusted subject of the King and Queen.
This LP comprises the Oscar Peterson Trio's interpretations of a very well-known score, My Fair Lady. The performances of the seven songs (at least three of which are now considered standards) is the one recording done by Peterson and bassist Ray Brown with drummer Gene Gammage, a transitional member of the Trio between the long stints with guitarist Herb Ellis and drummer Ed Thigpen. Overall the music is consistently enjoyable.
In what was a giant undertaking (even for producer Norman Granz), pianist Oscar Peterson recorded ten Songbook albums during 1952-1954 and when his trio changed, nine more in 1959. Both of his George Gershwin projects (one from 1952 and the other from 1959) have been reissued in full on this single CD. The earlier date matches the brilliant Peterson with guitarist Barney Kessel and bassist Ray Brown, while the 1959 session has Brown and drummer Ed Thigpen. The Songbook series found Peterson playing concise (around three-minute) versions of tunes, and he always kept the melody in the forefront. The results are not innovative or unique, but they are tasteful and reasonably enjoyable. Since five of the songs are played by both groups, a comparison between the two units is interesting.
Although the music here was originally said to be recorded in Europe, it actually comes from a Chicago concert, and the five additional selections were supposedly performed in Chicago, but are from an appearance in Los Angeles. Despite the geographical mixups, the music is consistently brilliant and often wondrous. The trio of Oscar Peterson, Herb Ellis, and Ray Brown had been together for over four years, and these would be among the threesome's last (and finest) recordings. The very tricky arrangements sandwiched remarkable solos, with pianist Peterson sounding especially inspired. Together with the Trio at Stratford Shakespearean LP of the previous year, this set features the trio at the peak of its powers. Highlights include "The Lady Is a Tramp," "Budo," and "Daahoud."