Once Upon a Time in the West is the second studio album by English indie rock band Hard-Fi. It was released on 3 September 2007 on Necessary/Atlantic and Warner Music UK. It reached #1 in the UK Album Chart in the first week of its release, unlike its predecessor Stars of CCTV, which took around five months to do so. It also reached #5 in the European Top Albums.
Once Upon a Time in the West is the second studio album by English indie rock band Hard-Fi. It was released on 3 September 2007 on Necessary/Atlantic and Warner Music UK. It reached #1 in the UK Album Chart in the first week of its release, unlike its predecessor Stars of CCTV, which took around five months to do so. It also reached #5 in the European Top Albums…
Ennio Morricone, the Italian composer whose credits include the "spaghetti" Westerns that made Clint Eastwood a star, has died in Rome aged 91.
According to Italian news agency Ansa, he died in hospital having fractured his femur in a fall some days ago.
The prolific composer also wrote music for Once Upon a Time in America, The Untouchables and Cinema Paradiso.
Having received an honorary Oscar in 2007, he went on to win one in 2016 for Quentin Tarantino's The Hateful Eight.
Morricone, who was simply known as "Maestro" in his home town of Rome, scored more than 500 films over seven decades.
Arguably a milestone for both director Sergio Leone and his musical cohort Ennio Morricone. After deconstructing the classic American western by way of The Good, the Bad & the Ugly and A Fistful of Dollars, Leone distilled his intentions with 1968's Once Upon a Time in the West. For his part, Morricone framed Leone's meditative camerawork and mythic narrative with a mix of hauntingly spacious pieces and reconfigured snatches of old-timey tunes. Just within the stretch of the first four pieces here, Morricone evokes the endless expanse of the West with a Copland-esque aria (the main title theme), weaves some twisted grit into the showdown theme with loads of guitar fuzz ("As a Judgment"), ingeniously combines whistling and a clippity-clop rhythm for a respite piece ("Farewell to Cheyenne")…
Arguably a milestone for both director Sergio Leone and his musical cohort Ennio Morricone. After deconstructing the classic American western by way of The Good, the Bad & the Ugly and A Fistful of Dollars, Leone distilled his intentions with 1968's Once Upon a Time in the West. For his part, Morricone framed Leone's meditative camerawork and mythic narrative with a mix of hauntingly spacious pieces and reconfigured snatches of old-timey tunes. Just within the stretch of the first four pieces here, Morricone evokes the endless expanse of the West with a Copland-esque aria (the main title theme), weaves some twisted grit into the showdown theme with loads of guitar fuzz ("As a Judgment"), ingeniously combines whistling and a clippity-clop rhythm for a respite piece ("Farewell to Cheyenne"), and conjures the surreal end of the cowboy mythos via a wonderfully disjointed serial-style number ("The Transgression"). And whether sounding upbeat or stark, Morricone informs it all with the dry and windswept vacancy of the West. Beautiful and stunning.