"ten Years After"

SSSSH is one of Ten Years After's best studio albums, although like its predecessor, "Stonedhenge" (albeit to a lesser degree), it's something of a period piece. It's not a straight blues album, by any means; "If You Should Love Me," for example, is an attractively watery re-write of the Beatles' "Hey Jude," while the opening "Bad Scene" is (unsurprisingly) a cautionary piece of acid rock, heavy on the fuzz guitar and sound efffects…

Ten Years After was a British blues-rock quartet consisting of Alvin Lee (born December 19, 1944, died March 6, 2013), guitar and vocals; Chick Churchill (born January 2, 1949), keyboards; Leo Lyons (born November 30, 1944) bass; and Ric Lee (born October 20, 1945), drums. The group was formed in 1967 and signed to Decca in England…

To mark the 50th anniversary of the release of the first Ten Years After album in 1967, Chrysalis records are releasing a very special box set – “The albums 1967 – 1974”. As the name suggests it includes the nine albums released in that time period, and it also contains a CD of previously unreleased material…

A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had…

Ten Years After is a British blues-rock quartet consisting of Alvin Lee (born December 19, 1944), guitar and vocals; Chick Churchill (born January 2, 1949), keyboards; Leo Lyons (born November 30, 1944) bass; and Ric Lee (born October 20, 1945), drums. The group was formed in 1967 and signed to Decca in England.

Great live recording from the current Ten Years After line-up, featuring Marcus Bonfanti (guitars / vocals), Chick Churchill (Keyboards), Colin Hodgkinson (bass) & Ric Lee (drums)…

The cover of Ten Years After's 1973 album Recorded Live depicts a giant reel-to-reel recorder, which certainly captures the era when this double-LP set was recorded. Approaching the end of their run – only one more album would come, 1974's Positive Vibrations – Ten Years After were deep into the thick of '70s arena rock, so everything they played on-stage wound up stretching well beyond the five-minute mark, sometimes reaching upward of 11 minutes…

"I'm Going Home" from Ten Years After's previous release put them on the charts, at least in the U.K. (the band's U.S. breakthrough was at Woodstock a year after its release), but the four-piece was already experimenting with ways to expand their basic boogie rock template. Stonedhenge was the result, as producer Mike Vernon helped steer the band into a more jazz- and blues-oriented direction…