"tony Curtis"

2008 release, a collection of tracks cut by the veteran bluesman in the '60s for the UK Blues label Blue Horizon. Like many other often forgotten Blues artists of the '20s and '30s, Jones began his recording career in the late '30s, but it wasn't until three decades later that he began to enjoy success in Europe. These recordings are a testament to his many talents. 21 tracks, including previously unreleased takes, are a testament to his talents.

First heard on Xavi and Dusan’s inspired 2014 album, “Random Abstract” by XaDu, “Deep Ocean” starts things off with a fanfare of muscular guitar and cymbals crashing like waves on the rocky coast, carving out the beach and unearthing a primal groove with growling bass and jittering spectral figures. “The Sound of the Earth I” brings to mind David Sylvian’s post-Japan near ambient instrumental excursions where space and pause became as integral to the “composition as place” as his trusty Prophet 5.

Convicts Tony Curtis and Sidney Poitier escape from a chain gang. Curtis' character, John "Joker" Jackson, hates blacks, while Poitier's character, Noah Cullen, hates whites. However, the men are manacled together, forced to rely on each other to survive. Captured at one point by a lynch-happy mob, the convicts are rescued by Big Sam (Lon Chaney Jr.), himself a former convict. The men are later sheltered by a lonely, love-hungry widow played by Cara Williams, who offers to turn in Cullen if Joker will stay with her. By the time the two men are within hailing distance of a train that might take them to freedom, they have become friends.

The spectacular hordes of Cossack horsemen flying across the steppes to do battle with first one enemy and then another are the highlights of this otherwise thinly scripted costume drama set in the 16th century in the Ukraine. After the Cossack leader Taras Bulba (Yul Brynner) makes a pact with the Poles to join forces against the Turks and drive them from the European steppes, victory brings betrayal as the Poles then turn on their ally and force the Cossacks into the hills. From there, Taras Bulba decides that one of his sons, Andrei (Tony Curtis), will be sent to Polish schools to better learn the nature of their enemy. While away from home and hearth, the adult Andrei falls in love with a Polish noblewoman, Natalia (Christine Kaufmann, who would become the second Mrs. Curtis). As time progresses, the tensions between father and son, loyalty and love, ethnic identity and assimilation steadily increase until they end in tragedy. Taras Bulba was nominated for a 1963 Academy Award for "Best Music", scored by Franz Waxman.