Set 2: Royal Albert Hall, London, England October 2nd 1992 (2-CD Set). No less than five discs serve up four phenomenal ELP concerts in the final installment of a series that remains one of the most audaciously brilliant in any band's catalog. We begin with excerpts from shows recorded at the Anaheim Stadium in 1974 as the band toured Brain Salad Surgery and Wheeling Colosseum in 1977 on the Works tour – a longer look at both would have been preferable, of course, but we're dealing with original bootleg releases here, the source of every recording in this series, so what you see is what you get.
"Arrau's Chopin – now available in a six-CD box (Philips 432 303-2) as part of Philips's Arrau Edition – is as far from moonstruck "sentimentality" as any Chopin ever was. But no performance of the Preludes is more sentimental, in Schiller's sense, than the version Arrau recorded for Philips in 1973. Its premise – that the cycle is a grand tragedy, the darkest thing Chopin wrote – is unmistakable. Even the prefatory C-major Prelude heaves with orgasmic rubatos – more weight, it seems, than the music can possibly bear. And yet, as Arrau packs each small berth with a world of feeling, the weight grips and holds. At times, the sheer density of emotion can seem suffocatingly intense. The Prelude No. 22, a Stygian descent, is surely Hades; the plunging scales of No. 24 rip the thread of life."
Vol. 2 in the Masters of Jazz label's nine-part series devoted to the music of Charlie Christian focuses upon the studio, radio broadcast, and live recordings he made between November 4 and December 24, 1939. Most of these find him operating as a member of the Benny Goodman Sextet; the first version of "Honeysuckle Rose" (track seven) is one of the few recordings that feature Christian with the Goodman orchestra. Tracks 15 through 21 were recorded live at Carnegie Hall on Christmas Eve 1939 during John Hammond's From Spirituals to Swing concert. Some of the selections are performed by the Kansas City Six, a Basie offshoot band consisting of Lester Young, Buck Clayton, Freddie Green, Walter Page, and Jo Jones with guest soloist Charlie Christian…
Nightsessions (1998). Three tracks lasting over sixty six minutes in total, more vintage kit on the cover, analogue sounds, mellotron for fans of Klaus Schulze and Tangerine Dream. ‘Apocalypsis ll’ and most of this CD in fact is very much Tangerine Dream in ‘Encore’ and ‘Sorcerer’ mode. Spooky atmospherics and strange alien animal noises lurch from the speakers. Calm descends and electricity arcs across the atmosphere to be joined by sonic booms then a beefy sequence jerks into life. The lead lines could have been taken from ‘Encore’, ‘Force Majeure’ or even ‘Romance 76’ by Peter Baumann. After about ten minutes there is a welcome return to the spookyness so that we can get our breath back though the heart keeps pounding…
The albums packaged in this Impulse two-fer – Village of the Pharoahs and Wisdom Through Music – were both released in 1973, but only the latter was recorded as an album. They share the same basic personnel – pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionist Lawrence Killian – while Village, because it was recorded at three different sessions over three years, also contains numerous other players, including vocalist Sedatrius Brown, bassists Stanley Clarke, Jimmy Hopps, and Calvin Hill, percussionists Hannibal Peterson and Kenneth Nash, and flutist Art Webb. Wisdom Through Music simply adds Mtume and Badal Roy to the percussion section, with Killian and flutist James "Plunky" Branch (founder of spiritual jazz-funk pioneers Oneness of Juju).
One of Herbie Hancock's greatest attributes is his ability to take a contemporary form of music and add his own unique perspective through his recordings. Future 2 Future is no exception to the rule. Teaming with Bill Laswell, Hancock recruits some of the most forward-thinking musicians in music for Future 2 Future. The contributions of electronic music pioneer Carl Craig, vocal diva Chaka Khan, drum'n'bass producer A Guy Called Gerald, as well as jazz legends Jack DeJohnette and Wayne Shorter make the album feel like a cross between modern electronica and world music. While a lineup with such immense talent promises the delivery of a powerhouse record, the finished product only delivers the goods moderately. Several pieces produced for the album were almost completed before Hancock contributed keyboards…