Свиридов CD 03

Todd Rundgren - The Complete Bearsville Album Collection (1970-1982) [13 CD Box Set] (2016) (Repost)

Todd Rundgren - The Complete Bearsville Album Collection (1970-1982) [13 CD Box Set] (2016)
EAC Rip | FLAC (tracks+.cue+log) - 4,08 GB | MP3 CBR 320 kbps (LAME 3.93) - 1,5 GB | Covers - 224 MB
Genre: Progressive Rock, Classic Rock, Pop Rock | RAR 3% Rec. | Label: Rhino (081227947392)

"The Complete Bearsville Albums Collection" houses 11 Todd Rundgren studio albums inside a wonderful 13CD clamshell box. This boxset showcases the complete collection of Rundgren’s finest work released on the exceptionally cool Bearsville label; all studio albums apart from the epic double live set Back to the Bars, all solo, no Utopia LPs.
A pop savant who fastidiously avoided easy categorization throughout the course of his career, Todd Rundgren straddled the gap separating a mainstream star from a cult figure. Rundgren had plenty of hits in the 1970s and '80s, many of them becoming enduring contemporary standards, such as the Carole King pastiche "I Saw the Light," the ballads "Hello, It's Me" and "Can We Still Be Friends," plus the goofy novelty "Bang on the Drum All Day." These hits displayed his sharp commercial instincts, impulses he'd wind up subverting and tweaking on such heady '70s LPs as Something/Anything, A Wizard, A True Star, and Todd, records at the core of a discography…
Eric Clapton - Backtrackin' (MQA-CD x UHQCD, Remastered, Japanese Edition) (1984/2020)

Eric Clapton - Backtrackin' (MQA-CD x UHQCD, Remastered, Japanese Edition) (1984/2020)
EAC Rip | FLAC (tracks+log+.cue) - 672 Mb | MP3 CBR 320 kbps - 253 Mb | 01:46:45
Blues Rock | Label: Universal Music

Backtrackin' is a two-disc compilation album by Eric Clapton spanning the years 1966 to 1980. It was released in 1984. The compilation contains all of Clapton's best known songs with Cream, Blind Faith, Derek and the Dominos, and his solo 1970s work through his 1980 live album Just One Night. This compilation album is made in Germany and is only available in the United States as an import. It was originally released by Starblend Records, and has since been reissued by Polydor Records.
Yes - Yessongs (1973) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Yes - Yessongs (1973) {2022, Japanese MQA-CD x UHQCD, Limited Edition}
2CD | EAC Rip | FLAC (Tracks) + Cue + Log ~ 895 Mb | MP3 CBR320 ~ 326 Mb
Front Cover | 01:06:24 + 01:03:52 | RAR 5% Recovery
Progressive Rock | Atlantic / Rhino Records / Warner Music Japan Inc. #WPCR-18564/5

Yessongs is the first live album by the English progressive rock band Yes, released as a triple album in May 1973 on Atlantic Records. After completing their Close to the Edge Tour in April 1973, the band selected live recordings between February and December 1972 on their tours supporting Fragile (1971) and Close to the Edge (1972) for a live album release. They were then edited and remixed with their producer and live sound mixer Eddy Offord. Three tracks feature original Yes drummer Bill Bruford while the remaining tracks feature his replacement, Alan White. Yessongs received a mostly positive reception from music critics, though much of its criticism was directed at its sound quality. However, the album was a commercial success for the band, reaching number 7 on the UK Albums Chart and number 12 on the US Billboard 200. In 1998, the album was certified platinum in the United States. In 2015, recordings of seven shows from late 1972, including ones that were used in the original album, were released in their entirety as Progeny: Seven Shows from Seventy-Two.
Yes - Yessongs (1973) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Yes - Yessongs (1973) {2022, Japanese MQA-CD x UHQCD, Limited Edition}
2CD | EAC Rip | FLAC (Tracks) + Cue + Log ~ 895 Mb | MP3 CBR320 ~ 326 Mb
Front Cover | 01:06:24 + 01:03:52 | RAR 5% Recovery
Progressive Rock | Atlantic / Rhino Records / Warner Music Japan Inc. #WPCR-18564/5

Yessongs is the first live album by the English progressive rock band Yes, released as a triple album in May 1973 on Atlantic Records. After completing their Close to the Edge Tour in April 1973, the band selected live recordings between February and December 1972 on their tours supporting Fragile (1971) and Close to the Edge (1972) for a live album release. They were then edited and remixed with their producer and live sound mixer Eddy Offord. Three tracks feature original Yes drummer Bill Bruford while the remaining tracks feature his replacement, Alan White. Yessongs received a mostly positive reception from music critics, though much of its criticism was directed at its sound quality. However, the album was a commercial success for the band, reaching number 7 on the UK Albums Chart and number 12 on the US Billboard 200. In 1998, the album was certified platinum in the United States. In 2015, recordings of seven shows from late 1972, including ones that were used in the original album, were released in their entirety as Progeny: Seven Shows from Seventy-Two.
Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 109 Mb
Covers Included | 00:39:18 | RAR 5% Recovery
Blues Rock, Classic Rock | Polydor / Universal Music #UICY-40177

461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean Boulevard is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album – the sleek production, the concise running times – don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow." With its relaxed, friendly atmosphere and strong bluesy roots, 461 Ocean Boulevard set the template for Clapton's '70s albums. Though he tried hard to make an album exactly like it, he never quite managed to replicate its charms.
Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 109 Mb
Covers Included | 00:39:18 | RAR 5% Recovery
Blues Rock, Classic Rock | Polydor / Universal Music #UICY-40177

461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean Boulevard is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album – the sleek production, the concise running times – don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow." With its relaxed, friendly atmosphere and strong bluesy roots, 461 Ocean Boulevard set the template for Clapton's '70s albums. Though he tried hard to make an album exactly like it, he never quite managed to replicate its charms.
Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 109 Mb
Covers Included | 00:39:18 | RAR 5% Recovery
Blues Rock, Classic Rock | Polydor / Universal Music #UICY-40177

461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean Boulevard is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album – the sleek production, the concise running times – don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow." With its relaxed, friendly atmosphere and strong bluesy roots, 461 Ocean Boulevard set the template for Clapton's '70s albums. Though he tried hard to make an album exactly like it, he never quite managed to replicate its charms.

Roger Taylor - Outsider (Japanese SHM-CD) (2021)  Music

Posted by delpotro at Feb. 9, 2024
Roger Taylor - Outsider (Japanese SHM-CD) (2021)

Roger Taylor - Outsider (Japanese SHM-CD) (2021)
EAC Rip | FLAC (tracks+log+.cue) - 351 Mb | MP3 CBR 320 kbps - 131 Mb | 00:57:18
Classic Rock, Soft Rock | Label: EMI Records

Outsider is the ltest solo album from rock legend Queen's Roger Taylor. With much of Outsider recorded during lockdown, this new album finds Taylor in reflective mood. Across the record he conveys a palpable sense of seclusion, concerns over the passing of time, and tellingly, dedicates it “to all the outsiders, those who feel left on the sidelines”. A highly personal project, Outsider’s instrumentation is almost entirely performed by Taylor, with his largely restrained vocals matching the album’s contemplative ambience. But Taylor does cut loose along the way with a foray into some hard-riffing blues-rock as well as an adrenalin charged big surprise retread of a classic 1965 novelty song, which is exactly the fun on earth we need in these challenging times.
Yes - Yessongs (1973) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Yes - Yessongs (1973) {2022, Japanese MQA-CD x UHQCD, Limited Edition}
2CD | EAC Rip | FLAC (Tracks) + Cue + Log ~ 895 Mb | MP3 CBR320 ~ 326 Mb
Front Cover | 01:06:24 + 01:03:52 | RAR 5% Recovery
Progressive Rock | Atlantic / Rhino Records / Warner Music Japan Inc. #WPCR-18564/5

Yessongs is the first live album by the English progressive rock band Yes, released as a triple album in May 1973 on Atlantic Records. After completing their Close to the Edge Tour in April 1973, the band selected live recordings between February and December 1972 on their tours supporting Fragile (1971) and Close to the Edge (1972) for a live album release. They were then edited and remixed with their producer and live sound mixer Eddy Offord. Three tracks feature original Yes drummer Bill Bruford while the remaining tracks feature his replacement, Alan White. Yessongs received a mostly positive reception from music critics, though much of its criticism was directed at its sound quality. However, the album was a commercial success for the band, reaching number 7 on the UK Albums Chart and number 12 on the US Billboard 200. In 1998, the album was certified platinum in the United States. In 2015, recordings of seven shows from late 1972, including ones that were used in the original album, were released in their entirety as Progeny: Seven Shows from Seventy-Two.
The Allman Brothers Band - The Allman Brothers Band At Fillmore East (1971) {2018, Japanese MQA-CD x UHQCD, Remastered}

The Allman Brothers Band - The Allman Brothers Band At Fillmore East (1971) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 495 Mb | MP3 CBR320 ~ 206 Mb
Covers Included | 01:20:22 | RAR 5% Recovery
Southern Rock, Blues Rock, Boogie Rock | Mercury / Universal Music # UICY-40186

Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track.