フジテレビ系ドラマ木10「医龍4~team 吉川慶

This second 11-CD set is the first complete collection of all of Nat King Cole's recordings from the final half-decade of his career, a total of 292 masters. The set includes all of the following albums, in many cases including rare 'bonus' material from the same sessions: Nat King Cole's only in-concert recording, 'Live At The Sands' (1960) ' universally regarded as one of the great live albums of all time. 'Wild Is Love'

House is a genre of electronic dance music characterized by a repetitive four on the floor beat and a tempo of 120 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines.

With every year that we move further away from our childhood, we lose more of the fascination for the world and forget our initial sense of beauty. The world grows duller, gets swept by everyday routine and a work-sleep-eat-repeat-rhythm – but every few decades, a bunch of musicians are able to break down these grey walls of concrete. And those who’ve seen NIGHTWISH live since their inception in 1996, know that they are the ones to shine a little light with magic, intensity and melancholy into the corners of the one’s mind that seemed long lost and forgotten…

Ludwig van Beethoven - Symphony No. 4 & Symphony No. 7
The Deutsche Kammerphilharmonie Bremen · Paavo Järvi
EAC+LOG+CUE | FLAC: 287 MB | Full Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal # 88697129332 | Country/Year: Europe 2007 | Genre: Classical

…Once again, Järvi and his band have captured Beethoven's wilful and often irascible character, rhetoric, polemics and sheer genius in fully-charged performances which also reveal his deep humanity. They certainly should number among the elite.

From “Taxman” to “Tomorrow Never Knows,” The Beatles’ Revolver has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. Super Deluxe 5CD: This Special Edition of The Beatles’ Revolver features a new mix by Giles Martin and Sam Okell, plus the original mono mix, a 4-track EP, 31 session takes and home demos, a 100-page book with a foreword by Paul McCartney, an essay by Questlove, detailed track notes, photos and ephemera including handwritten lyrics, tape boxes and extracts from Klaus Voormann’s graphic novel on the making of the cover art. On 5 CDs in a 12.56” x 12.36” slipcase.

Four is the fourth studio album released by the hard rock band Fair Warning. Recording their fourth studio album with a modest but far-reaching as «4 (Four)» the team began in late 1998. Several months were spent Sessions and the album went on sale in February 2000. The album had good reviews in the press (including European), but despite this fact, after the Japanese tour, announced his retirement Tommy Heart. The vocalist has created a new team of «Soul Doctor», a project of «Fair warning» remained frozen.

McGegan's recording is of considerable documentary interest in that a separate section at the conclusion of each of the three parts of Messiah - there are three discs accordingly - is reserved for the many alternative versions of arias, accompanied recitatives and choruses which Handel himself used or at least approved in performances during the 1740s and 1750s. In this way, the booklet explains, the listener can select which version of the work he/she wants to listen to at any given time. About six versions are possible from the 18 alternative tracks provided on the three CDs. By following a table printed in the back of the booklet (a few minutes' mental gymnastics are initially required) you can programme your CD player to replace particular arias with others.

Naxos intend to record Vivaldi’s entire orchestral corpus, and Raphael Wallfisch’s integral four-disc survey of the 27 cello concertos inaugurates this visionary, though plainly Herculean undertaking. Soloist and orchestra employ modern instruments; director Nicholas Kraemer contends that authentic protocols can be ably met by contemporary ensembles and, in articulation, style and ornamentation, these pristine, engaging readings have little to fear from period practitioners. Wallfisch’s pointed, erudite and spirited playing is supported with enlightened restraint by the CLS, directed from either harpsichord or chamber organ by Kraemer, whose sensitive continuo team merits high praise throughout. Without exception, these Concertos adopt an orthodox fast-slow-fast three-movement format. Wallfisch, dutifully observant in matters of textual fidelity, plays outer movements with verve, energy and lucidity, such that high-register passagework, an omnipresent feature of these works, is enunciated with the pin-sharp focus of Canaletto’s images of 18th-century Venice, which adorn the covers of these issues.