別冊 Go Out 1月 2020

Le bassiste électrique Daniel Romeo distille depuis plusieurs années le meilleur du funk, d'irrésistibles grooves et sait, comme personne, comment construire une méga fête funky tout en jouant une musique audacieuse et surprenante. Il sait aussi mettre le feu avec un swing imparable et, communiquer avec son public grâce au son élégant qu'il donne à sa basse.

Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds.

In 1990 Neil Hannon started recording and releasing under the name The Divine Comedy. Thirty years and twelve great albums later, Hannon is rightly adjudged one of the finest singer songwriters of his generation. To celebrate, Divine Comedy Records are remastering and reissuing nine of the band's classic albums.