大学4年間の金融学

The Most Common Used Chinese Characters- 951-1000 according HSK, Trace the roots and Expand Vocabulary in a Smart Way

The Most Common Used Chinese Characters- 901-950 according HSK, Trace the roots and Expand Vocabulary in a Smart Way

The Most Common Used Chinese Characters- 851-900 according HSK, Trace the roots and Expand Vocabulary in a Smart Way

The Most Common Used Chinese Characters- 651-700 according HSK, Trace the roots and Expand Vocabulary in a Smart Way

Handel is best known to the wider public for his large-scale choral and orchestral works, but his organ music is equally precious.

Handel is best known to the wider public for his large-scale choral and orchestral works, but his organ music is equally precious. It was the Duke of Saxe-Weissenfels who, diverting him from a career in the law, spotted his exceptional abilities on the instrument. By the age of seventeen, Handel was already the resident organist at the Domkirche in Halle, and he was later to defeat Domenico Scarlatti in a contest of virtuosity during his time in Rome.Martin Haselböck and the Orchester Wiener Akademie have recorded the Organ Concertos, Op. 4 and Op. 7 in the prestigious Vienna Musikverein, world-famous for its acoustics. Haselböck plays on the hall’s imposing Rieger organ in what is one of its very first recordings. Inaugurated in 2011, it is the fourth organ in the Musikverein since the hall opened in 1870. With its considerable dimensions – much larger than the organs Handel used to play on – the instrument offers a tonal palette rich in contrasts.

This early, long-forgotten opera by Donizetti was staged during the 2020 edition of the Festival dedicated to the composer, with full-Covid 19 safety measures on. Fondazione Donizetti and its scholars took on the challenge to stage a work which had no original printed copy of the libretto, no autograph score and a second act quintet – 'Aura gentil, che mormori' – which was completely missing. This latter was commissioned to Elio and Rocco Tanica with the collaboration of Enrico Melozzi, who created a new version which 'seamlessly blended with the rest of the score.' (Bachtrack). The mise-en-scène is contemporary, imaginative and playful.

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