张敬轩:拉阔变奏厅卡拉ok 张敬轩

Ambitions is the eighth full-length album by the Japanese band, ONE OK ROCK. It was released on January 11, 2017 for the Japanese version album under a Japanese label A-Sketch and on January 13, 2017 for the English version album under an American label Fueled by Ramen.

Emotive, break-beat minimalist trio GoGo Penguin are back, with their brand new album “Everything Is Going to Be OK”. Bursting with the optimism of new beginnings, with a new drummer, their new record label, (Sony Records' electronica and classical imprint XXIM Records), and a subtly updated and developed sound, the band are ushering in a more ambient era. “Everything Is Going to Be OK” is born from a time of turbulence and loss. During an oppressive grieving period, the studio offered the band a sanctuary from real life. The resulting project, given such vibrant life here, draws its strength from a shared understanding and empathy. Life has many great aspects to it and despite the lows, we should be mindful and grateful to celebrate the highs at every turn. Through our hardships, we will emerge stronger - everything is going to be ok.

Eye of the Storm is the ninth studio album by Japanese rock band One Ok Rock. It was released on February 13, 2019 in Japan through A-Sketch, and on February 15, 2019 in other countries through Fueled by Ramen. The album marked a shift in their sound from the alternative rock and emo sounds of their previous albums to pop and electronic music. Three singles, "Change", "Stand Out Fit In", and "Wasted Nights" have been released in support of the album.

Gilberto Gil - OK OK OK (2018) {Altafonte ALTIB0280}
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© 2018 Altafonte / Gege Produções | ALTIB0280
Música popular brasileira / Samba / MPB / Brazilian Pop / Tropicalia / World Music

OK OK OK' marks a period of intense creation for Gilberto Gil. It contains 15 songs (3 of them bonus tracks) and includes the digitally released, 'Pela Internet 2' and 'Afogamento', the latter with singer Roberta Sá. The project, marked by other collaborations such as João Donato and Yamandu Costa, deals with personal themes and the relationship with his family. Musically, the artist showcases different styles. Gilberto Gil, known for his exuberant musicality and countless hit songs, has sold millions of albums worldwide, in addition to playing an important role in the main musical and aesthetic movements of Brazil in the last 50 years.

DBT released The Unraveling on Jan. 31st 2020 and set out for what was supposed to be a full year of touring. We completed the first leg of the tour at DC’s beloved 9:30 Club on Feb. 29th. We all went home for a brief break before resuming at Vogue in Indianapolis on March 12th. We were two songs into the soundcheck for that show when we were told that the entire tour was to be postponed indefinitely due to the Covid-19 pandemic. We packed up the trailer and headed home where we’ve pretty much been ever since.

Here Garbarek is approaching the extremes of his style, appearing once again with the Jan Garbarek Group. He has his usual stark, meditative pieces, interspersed with some cutting-edge work, occasionally spinning just enough out of control to be exciting. And in other places he ventures headlong into the syrupy fields of Kenny G.-land. All pieces on this record are titled after quotes from poems by Tomas Transtromer, and though the actual connection to these poems remains tenuous at best, they do add a provocative element to the pieces themselves, which beg for at least some programmatic interpretation. Excellent bass work by Eberhard Weber, particularly on the more avant-garde pieces (e.g., "The Crossing Place" and "One Day in March I Go Down to the Sea and Listen").

Here Garbarek is approaching the extremes of his style, appearing once again with the Jan Garbarek Group. He has his usual stark, meditative pieces, interspersed with some cutting-edge work, occasionally spinning just enough out of control to be exciting. And in other places he ventures headlong into the syrupy fields of Kenny G.-land. All pieces on this record are titled after quotes from poems by Tomas Transtromer, and though the actual connection to these poems remains tenuous at best, they do add a provocative element to the pieces themselves, which beg for at least some programmatic interpretation. Excellent bass work by Eberhard Weber, particularly on the more avant-garde pieces (e.g., "The Crossing Place" and "One Day in March I Go Down to the Sea and Listen"). Multi-instrumentalist David Torn is primarily responsible for the more aggressive edge this record takes.