Returning to the scene after a lengthy absence – during which time the shock rocker began to see some of the consequences of numerous assault accusations – Marilyn Manson barreled headlong on the "innocent until proven guilty" route, lashing out at detractors and critics with his 12th studio album, One Assassination Under God: Chapter 1. Objectively, One Assassination is another strong late-era set that's packed with dramatic industrial-lite statements and rollicking spook-show anthems, where Manson's twisted wordplay, (no-longer-that-shocking) religious imagery, and cartoonish cult-master antics intersect.
A year on from Portrait of an American Family, Marilyn Manson released the stopgap EP Smells Like Children. Where the full-length debut showed sparks of character and invention beneath industrial metal sludge, Smells Like Children is a smartly crafted horror show, filled with vulgarity, ugliness, goth freaks, and sideshow scares. Manson wisely chose to heighten his cartoonish personality with the EP. Most of the record is devoted to spoken words and samples, all designed to push to the outrage buttons of middle America. Between those sonic collages arrives one new song, retitled remixes of Portrait songs - "Kiddie Grinder," "Everlasting Cocksucker," "Dance of the Dope Hats," "White Trash" - and three covers ("Sweet Dreams," "I Put a Spell on You," "Rock 'n' Roll Nigger"), all given a trademark spooky makeover…
Michael Manson is a highly gifted bass player. He already performed with Kirk Whalum, Brian Culbertson, George Duke or Oletta Adams to just name a few. Like most of the contemporary jazz artists he was on the search of a new label. Now he found his haven in NuGroove Records and presents his label debut Up Front (2008). Portions of this CD have been remastered from his previous album Just Feelin It.
The world-renowned early music specialist and keyboard player Ton Koopman and the violinist Catherine Manson perform the six Sonatas for Harpsichord and Violin, BWV 1014-1019 of Johann Sebastian Bach on this new 2-CD set for Challenge Classics. Their previous collaboration on the label was an outstanding recording of the music of Buxtehude. Catherine Manson enjoys a versatile performing career specialising in period performance as a soloist, chamber musician and orchestral leader. She became the current leader of the Amsterdam Baroque Orchestra in 2006, and as first violinist of the London Haydn Quartet has been involved in a critically acclaimed series of recordings of the Haydn quartets for Hyperion.
The authority on Rameau in the Grove's Dictionary of Music and Musicians spent a lot of words on these pieces. All YOU have to know is that the usual "continuo" situation of the bass instrument playing the same notes as those found under the harpsichordist's left hand is not present here. This is not a suite with violin on top and bass viol for continuo - but "concerted" harpsichord pieces with the help of a violin and a bass viol. The first and last suites are my favorites, but if you think you like French baroque music, you will thoroughly enjoy the whole disc.
Marilyn Manson started out as a depraved, marginally talented group of freaks that played a caustic but undeveloped brand of metallic industrial noise. Then Trent Reznor stepped into the studio for seven months with the band, and Manson emerged with the most intense, visceral, mechanical metal album since The Downward Spiral. Antichrist Superstar is a horror-house of grisly atrocities that stains as indelibly as a bathful of warm blood. Brooding rhythms collide with corrosive samples and buzzsaw guitar riffs, while vocalist Marilyn croons irresistible melodies in the voice of a vagrant regurgitating broken light-bulb shards. Essential listening, regardless of how much input Reznor had.
Heaven Upside Down is the tenth studio album by American rock band Marilyn Manson, released on October 6, 2017 by Loma Vista Recordings and Caroline International. The record was originally due for release on Valentine's Day, and had a working title of Say10. However, its release was delayed, principally due to the eponymous vocalist being unhappy with the quality of the record by that date, and also because of the band's touring commitments and producer Tyler Bates' schedule scoring films, as well as the death of Manson's father during production, to whom the album was later dedicated.
BIS present a disc of works by the Japanese composer Mari Takano, composed between 2003 and 2009. The four duos and trios that share the title LigAlien are all results of the idea of what would it be like to implant ‘alien’ music into one of Ligeti’s works. Interspersing the four 'LigAliens' are two solo pieces, Jungibility for piano and Full Moon for violin and electronics, which also embrace a wealth of ideas both musical and otherwise from Duke Ellington, Omar Sosa and Stockhausen (Jungibility) and Björk, Pina Bausch and Miles Davis (Full Moon).