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Academy of St. Martin in the Fields A small orchestra specializing in music of the Baroque and Classical eras, the Academy of St. Martin in the Fields became one of the most popular ensembles in the entire field of classical music, making albums that topped classical charts and even made an impact in pop. The group's seamless sound was identified in the minds of many listeners with that of Baroque music itself. The Academy of St. Martin in the Fields (the name has been spelled both with and without the hyphens, and with and without the period after "St") was formed in 1958 by violinist Neville Marriner, who was interested in exploring the then largely new field of Baroque music with a group of other musicians. Performing without a conductor until market forces dictated that Marriner take the post, the group played its first concert on November 13, 1959, at the Church of St. Martin-in-the-Fields and took its name from that venue. The orchestra began recording in 1961 on the L'Oiseau-Lyre label, championed by its founder, Louise Hanson-Dyer, and at first, finding more success with recordings than with concert appearances.

The Akademie für Alte Musik Berlin kickstarts their Handel trilogy with this recording of the first six concerti grossi op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as the most appealing orchestral music of the baroque era. Written in London in 1739, towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery incorporating all musical styles of his times. Led by their concertmaster Bernhard Forck, the players of the Akademie für Alte Musik Berlin demonstrate why many consider them the best baroque ensemble of today. This first instalment will be followed by the last six concerti grossi op. 6, as well as a recording of the concerti grossi op. 3. The ensemble’s first PENTATONE album, Cantata (2018) with countertenor Bejun Mehta, won a Diapason d’or.

The Akademie für Alte Musik Berlin kickstarts their Handel trilogy with this recording of the first six concerti grossi op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as the most appealing orchestral music of the baroque era. Written in London in 1739, towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery incorporating all musical styles of his times.

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Depuis une trentaine d’années maintenant, le claveciniste, fortepianiste puis chef d’orchestre italien Ottavio Dantone (*1960) explore le monde infini d’un répertoire allant de la Renaissance jusqu’au début du XIXe siècle, toujours sur les instruments des époques qui ont vu naître les œuvres en question. En 1989 déjà, il avait commencé à travailler avec la désormais fameuse Accademia Bizantina – basée non pas à Byzance mais à Ravenne –, avant d’en devenir le directeur musical en 1996.

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