Bram Weijters' Crazy Men is an adventurous take on Belgian jazz-rock and fusion from the seventies. The lineup of Crazy Men includes musicians who play in a wide array of contemporary jazz bands like BRZZVLL, Dans Dans, STUFF. and Internal Sun.
The Hoochie Coochie Men, named after the Willie Dixon song "I'm Your Hoochie Coochie Man", were Bob Daisley (Rainbow, Ozzy Osbourne, Gary Moore, Uriah Heep) on bass, Tim Gaze on lead vocals and guitar, Rob Grosser on drums and Jim Conway on harmonica The band's life changed drastically when legendary founder member of DEEP PURPLE, Jon Lord decided to join them for a concert at the famous "Basement Club" in Sidney just after a few hours rehearsal. All musicians loved playing together and remained in contact. Many journalists and fans have already said the HOOCHIE COOCHIE MEN is Jon Lord's return to rock music and thanks to the distinctive presence of his Hammond organ; louder and cooler than ever. Live At The Basement is documenting the show that started the Hoochie Coochie Men project feat. Jon Lord.
The two enticingly swinging sessions brought together here find pianist Paul Smith in typically well-crafted form, with “The Big Men” a joyously engaging date in which he is heard performing solo or in a trio. Much skill, considerable feeling, and unceasingly ebullient energy transform this album into a thoroughly listenable program of modern jazz, throughout which his lines show strong classical influence and clear indication of his imposing compositional talent (Theme for Theda). The playing of the trio is crisp and knowing, and there are moments of brilliant musicianship by Smith with the fine support of Vinnegar and Levey, two swingers who keep the pulse vibrant.
The Ozark Mountain Daredevils were among the more popular of mid-'70s country-rock outfits, slotting in chronologically and stylistically between the Eagles and Firefall. As exponents of '70s country-rock, the group rode a wave of success for five years on A&M Records and survived in some form into the 1990s, with a following just large enough to justify occasional record releases in their later years…
What the Dead Men Say finds Trivium firing on all cylinders. Bent's double-kick drum attack and blastbeats have been fully integrated into the band's punishing amalgam of deathcore, prog metal, thrash, melodic death metal, and more. As evidenced by the pre-release tracks "IX" and "Scattering the Ashes," in a Spawn trailer for Mortal Kombat 11, Trivium revisited various sonic eras in their history while moving their music ever forward. The former cut is an instrumental that builds in grandiose intensity for two minutes then bleeds into the crushing title track. As furious as anything on TSATS, it also employs the mind-melting technical prowess Shogun boasted. "Catastrophist" commences as nearly radio-friendly with a hooky chorus before it shifts gears halfway through to become a meld of roaring vocals, twin guitar leads, and spiraling death metal riffs fueled by Bent's triple-time drumming…