Cream teamed up with producer Felix Pappalardi for their second album, Disraeli Gears, a move that helped push the power trio toward psychedelia and also helped give the album a thematic coherence missing from the debut. This, of course, means that Cream get further away from the pure blues improvisatory troupe they were intended to be, but it does get them to be who they truly are: a massive, innovative power trio. The blues still courses throughout Disraeli Gears – the swirling kaleidoscopic "Strange Brew" is built upon a riff lifted from Albert King – but it's filtered into saturated colors, as it is on "Sunshine of Your Love," or it's slowed down and blurred out, as it is on the ominous murk of "Tales of Brave Ulysses." It's a pure psychedelic move that's spurred along by Jack Bruce's flourishing collaboration with Pete Brown.
Recorded before the release of the Brand X debut Unorthodox Behavior, these 1975-1976 recordings represent the earliest known preservations of the group's beginnings. These are quality recordings that include previously unavailable material. The shining talent and genius of this, the most important of Brit jazz-fusion groups, comes through brightly. Brand X has long been a "musicians' band" where the fretwork of John Goodsall, percussion of Phil Collins, keyboard techniques of Robert Lumley, and bass of Percy Jones inspire others to greater attainment. Still, no music degree is required to appreciate this invigorating, unforgettable music that still sounds remarkably fresh and forward thinking. Over 50 minutes of stunning exploration is contained in the original quintet's six never-before-heard songs. Even after 20 years, Brand X remains in its incipient form the final word in guitar-based progress jazz-rock.
X-Communication is a band that is not a band, a group of improvisers who come together to play concerts once in a while and hopefully document them with a recording or two, like this one. The band was originally formed around Butch Morris, Martin Schutz, and Hans Koch, and was to become a band 18 strong, including Wayne Horvitz. The larger band idea was pared down for practical reasons, and Horvitz became ill at the last moment before a concert and was replaced by Hans Reichel…
A compilation of Miami disco heat! T.K. Records was created 1973 by Henry Stone in Miami, FL and closed down in 1981.
Cape God is the fourth studio release from Allie X and includes collaborations with Troye Sivan and Mitski. "In early 2018, I saw the documentary that started my journey to write this record. It's an HBO doc called "heroine: cape god".Though I've never done junk and don't plan on trying it, in an abstract way I found myself relating to the film's young interviewee's. I've never spoken much publicly about this, but during high school, I was in and out of the hospital with physical illness. Often debilitatingly sick. To say it shaped my adolescence is an understatement. In multiple ways I related to the characters I saw in the documentary. Going into these feelings I had as a teenager was the perspective I chose to write this album from. It happened very naturally and without much thought - it became "Cape God". I would say Cape God is a liminal space I created to explore my repressed feelings and perhaps create a different outcome. While in cape god, you are in limbo. you stay there until you die or come to life and while you are there you are somewhere in between…"
Booker T. & the MG's do what they do very well. What they do is present a spare, funky sound in which each instrument, drums (here played by Steve Jordan or James Gadson), bass, guitar, and organ, is heard distinctly, playing medium tempo melodies with slight variations. Precision is a key, and the result, while impressive, is anything but showy. Seventeen years since their last outing, the group exhibits the same qualities and the same limitations it did in its heyday.
Famously tagged as "fascist" in a Rolling Stone review printed at the time of its 1978 release, Jazz does indeed showcase a band that does thrive upon its power, thrilling upon the hold that it has on its audience. That confidence, that self-intoxication, was hinted at on News of the World but it takes full flower here, and that assurance acts as a cohesive device, turning this into one of Queen's sleekest albums. Like its patchwork predecessor, Jazz also dabbles in a bunch of different sounds – that's a perennial problem with Queen, where the four songwriters were often pulling in different directions – but it sounds bigger, heavier than News, thanks to the mountains of guitars Brian May has layered all over this record. If May has indulged himself, Freddie Mercury runs riot all over this album, infusing it with an absurdity that's hard to resist.
None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty.
Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released 23 April 1971 on their new, and own, label Rolling Stones Records. Sticky Fingers is considered one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. Songs such as "Brown Sugar," the country ballad "Dead Flowers," "Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile" were chart-toppers. The album is inducted in the Grammy Hall of Fame and included in Rolling Stone magazine's 500 Greatest Albums of All Time list.