鲠 Ga

The B-52s performed their first ever gig on Valentine's Day in 1977. And 34 years later, in February 2011, they returned to their hometown of Athens, GA to celebrate with this brilliant live show. Wig-wearing, boa-draped, glitter-covered fans came from near and far to see the band deliver a sizzling set that turned Athens' Classic Center into a cosmic dancehall. A B-52s live show is always the best party in town, yet here in front of their home crowd they turned it up a notch higher.

A jam band coming out of the Midwest in the mid-'90s, Umphrey's McGee edged toward the Frank Zappa side of the improv rock scale, as opposed to the Grateful Dead/Allman Brothers Band direction of their many contemporaries. The members of Umphrey's McGee met at the University of Notre Dame in South Bend, Indiana…

The psychedelic southern rock band DeWolff presents on February 5 next year their latest album Roux-Ga-Roux. The album appears on the own Electrosaurus Records in collaboration with Suburban Records. It is the sixth studio album by the band. DeWolff are a psychedelic rock band from the Netherlands’ deep south, formed in 2007 by brothers Pablo & Luka van de Poel and Robin Piso. When their psychedelic yet hard rocking, self-titled EP was released in 2008 it immediately conquered the hearts of rock music lovers all across the country and in December 2008 the band played their first show at Paradiso, a legendary venue in Amsterdam. The release of their 2009 debut album “Strange Fruits and Undiscovered Plants” was followed by a successful tour through the Netherlands and Germany.

Modest Mussorgsky - Pictures at an Exhibition / Maurice Ravel - Ma Mère l'Oye, Rapsodie Espagnole
Chicago Symphony Orchestra - Carlo Maria Giulini / Los Angeles Philharmonic Orchestra - Carlo Maria Giulini
EAC+LOG+CUE | FLAC: 435 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophom "Galleria" # 415 844-2 G GA | Country/Year: Germany 1986; 1976 & 1980
Genre: Classical | Style: Romantic, Early 20th Century

"…Giulini's conducting incorporates elements of Furtwängler's and Toscanini's styles. His dynamism and purity of sound are reminiscent of Toscanini, but the spacious, Romantic approach reminds one of Furtwängler. His particular attentiveness to inner voices results in a rich sound. Giulini eschews podium theatrics or autocratic attitudes. Instead, he approaches the musicians as co-workers serving the music…"