(what Was?)

From the late-fifteenth century onwards, scholars across Europe began to write books about how to read and evaluate histories. These pioneering works - which often take surprisingly modern-sounding positions - grew from complex early modern debates about law, religion, and classical scholarship. In this book, based on the Trevelyan Lectures of 2005, Anthony Grafton explains why so many of these works were written, why they attained so much insight - and why, in the centuries that followed, most scholars gradually forgot that they had existed.

What was said brings new colours to Tord Gustavsen’s musical palette. His latest trio project builds upon the subtle understanding of his long musical association with drummer Jarle Vespestad, introduces the entrancing Afghan-German vocalist Simin Tander, and explores the tradition of Norwegian church music in a most untraditional way: “For the repertoire of the new project, Simin and I have been working with an Afghan poet, translating and shaping a selection of hymns that I grew up with in Norway into Pashto,” Gustavsen explains. “This process has been challenging and really fruitful.