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Norway's a-ha took "Take on Me" to the number one spot on Billboard's Top 40 in 1985, thanks to the award-winning animated video that accompanied it. Still, a-ha contributed rather accordingly to the '80s pop sound, drenching their music with bouncy riffs and employing the keyboard as the foundation to their colorful formula. Headlines and Deadlines: The Hits of a-ha assembles all of their singles together, a definite one-stop for all of their music. Combining ballads and radiant '80s pop, this set includes their most fervent offering in "The Sun Always Shines on T.V.," which hit number 20 in 1986 and originated from Hunting High and Low, the same album that included "Take on Me."

Both of us have grown up with this music from the cradle of our earliest infancy; […] It is music that allowed us to become what we are, while at the same time encouraging us to question things constantly. […] Now, playing the music – because, as we all know, we play rather than make music – has become a part that each of us plays, played here as a double act. Each one for himself, with his instrument as a crucible, and at the same time each of us for the other, since after all we are engaged in a performance.

Daishin Kashimoto, Emmanuel Pahud, Paul Meyer, Zvi Plesser and Éric Le Sage, who have been close musical partners for years, joined forces once again at the Salon de Provence Chamber Music Festival to record this programme devoted to Viennese composers of the early twentieth century. The most famous and innovative of these are represented: Schoenberg with his Kammersymphonie no.1, Mahler with two lieder transcribed for flute and piano, Zemlinsky’s Clarinet Trio and several pieces by Berg. A disc that encapsulates both the exhaustion of a bygone Romantic age and the avant-garde promises of a modern world still to be built…

The Ricercar Consort is a Belgian instrumental ensemble founded in 1980 together with the Ricercar record label of Jérôme Lejeune.The founding members were violinist François Fernandez, organist Bernard Foccroulle, and viola da gamba player Philippe Pierlot. The initial repertoire was focussed on the German Baroque, and the Consort was closely identified with the series Deutsche Barock Kantaten. In recordings and concerts the Consort was joined by baroque specialist singers including; Greta De Reyghere, Agnès Mellon, countertenors Henri Ledroit and James Bowman, tenor Guy de Mey and bass Max van Egmond, as well as the cornett player Jean Tubéry.