*storm 1984 Film

Air Born: The MCA & Decca Years 1973-1984 is a new box set featuring the music of English prog-rock band Camel. The box features 27 CDs & five blu-rays and includes newly remastered versions of every Camel album and single issued between 1973 and 1984, but also includes new stereo and 5.1 Surround Sound versions of five albums, as well as new mixes of three concerts; The Marquee Club, London 1974, Hammersmith Odeon 1976 and Hammersmith Odeon 1977. The package also features previously unreleased outtakes from album recording sessions and BBC Radio ‘In Concert’ appearances from 1974, 1975, 1977 and 1981.

Eden is the debut studio album by British musical duo Everything but the Girl. It was released on 4 June 1984 by Blanco y Negro Records. The album contains the single "Each and Every One", which peaked at number 28 on the UK Singles Chart. The cover design was by lead singer Tracey Thorn's former colleague in the Marine Girls, Jane Fox. By 2012, Eden had sold around 500,000 copies. Eden was reissued in 2012 as a remastered edition by Edsel Records.

This collection covers Pendergrass' run of big hits from the Philadelphia International era, including "I Don't Love You Anymore," "Close The Door" and "Turn Off The Lights".

This collection of 200 of the most influential music videos in Britain 1966 to 2016 is the result of a three-year University research project run in partnership with the British Film Institute and the British Library. The collection has been put together by a team of researchers in collaboration with a panel of over one hundred directors, producers, cinematographers, editors, choreographers, colourists and video commissioners from the business. Each video has been selected because it represents a landmark in music video history - a new genre, film technique, post-production method, distribution channel, or other landmark…

Another in the long line of soundtracks by Tangerine Dream is actually one of the strongest in concept for any film they have done. The movie has a high degree of tension and the score by T.D. does just the trick. They use mostly hard driving sequencer rhythms to maintain the tension of the film. Listeners will find that this is nearly how all of the music is composed. There is very little melody within the structures of the music. But even with this lacking, the score is very well suited and very listenable. A couple of nonsequencer tracks are also on the album and break up the hard rhythms pieces.