+levin+gardiner

Robert Levin’s recordings of the Beethoven concertos with Gardiner and the Orchestre Révolutionaire et Romantique brought us yet another step closer to hearing this music as Beethoven imagined it. Five different contemporaneous fortepianos (or copies) are used, which Levin plays with great authority. While their sound is considerably lighter and drier than that of a modern concert grand, they are capable of producing a wide range of dynamics, and their action allows for dazzlingly clean articulation of scales and passage work.

Robert Levin has some fascinating ideas about this music. He improvises cadenzas and lead-ins, embellishes the last movement of the Third Concerto, and generally plays with a kind of expressive freedom uncommon in period-instrument performances. That's all to the good, as is the energy and power of the orchestra's playing. But although the musicians obviously approved the balances of the recording (or it wouldn't have been issued), the fortepianos often sound as though they're being heard through the wrong end of an audio telescope, and you, too, often have to strain to hear what's going on.

Sir John Eliot Gardiner’s Complete Beethoven Recordings made for Archiv Produktion have been brought together for the first time to mark Beethoven’s 250th birthday in 2020. This 15-CD set features the Orchestre Revolutionnaire et Romantique and the Monteverdi Choir under the leadership of John Eliot Gardiner with soloists Robert Levin and Viktoria Mullova in the Piano and Violin Concertos. The Complete Beethoven Recordings include a bonus disc, never before commercially released, featuring an interview with Gardiner discussing the symphonies, and new liner notes written by Thomas Otto.

A superb performance of the 'Emperor' Concerto on 'original' instruments (historically informed performance). However, the 'piece de resistance' of this CD is the inclusion of Beethoven's less well-known 'Choral Fantasy', an absolute gem of a piece, rarely performed, in a magnificent version here!

The Monteverdi Choir excels during the a capella selections (Opus 42 and 104) due to their precision tuning and group sensitivity. Brahms's deep, romantic textures and mounds of sound are most vividly experienced when no instruments join in the blend. But in the accompanied pieces (Opus 92, 17, and the Liebeslieder Waltzes, Opus 52), the chorus sounds mechanical, metronomic. The Waltzes are pleasant, but the group can't find a personal identity to enliven the expressiveness of the material; they are simply a poetic mural. Still, this disk, chock full of music, is a lot of worthwhile Brahms for your bucks.

Over 175 hours of music, featuring recordings by over 250 of the greatest Beethoven performers, ranging from Karl Böhm to Alfred Brendel, Claudio Arrau to the Amadeus Quartet, Wilhelm Furtwängler to Dietrich Fischer-Dieskau, Emil Gilels to John Eliot Gardiner, Wilhelm Kempff to Herbert von Karajan, Yehudi Menuhin to Anne-Sophie Mutter, and Murray Perahia to Maurizio Pollini. Includes more than two hours of newly recorded music including several world premieres with Lang Lang, Daniel Hope and Tobias Koch. Over 30 discs of alternative recordings including historic performances and period instrument recordings. Limited & Numbered Edition.

Over 175 hours of music, featuring recordings by over 250 of the greatest Beethoven performers, ranging from Karl Böhm to Alfred Brendel, Claudio Arrau to the Amadeus Quartet, Wilhelm Furtwängler to Dietrich Fischer-Dieskau, Emil Gilels to John Eliot Gardiner, Wilhelm Kempff to Herbert von Karajan, Yehudi Menuhin to Anne-Sophie Mutter, and Murray Perahia to Maurizio Pollini. Includes more than two hours of newly recorded music including several world premieres with Lang Lang, Daniel Hope and Tobias Koch. Over 30 discs of alternative recordings including historic performances and period instrument recordings. Limited & Numbered Edition.