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Critics and audiences alike have nothing but rapturous praise for the voice of Anja Harteros. Some experts even regard her as the greatest female singer of the present day. With her broad palette of vocal colours, she is the ideal interpreter of Romantic songs for voice and orchestra. The fin de siècle atmosphere of Berg's 'Seven Early Songs', Wagner's Tristanesque conjuration of love in his 'Wesendonck-Lieder' and Mahler's focus on a world of private introspection in his 'Rückert-Lieder' offer Anja Harteros ample scope for her multifaceted musical sensitivity.

Altium has released Altium Designer 23.7.1 (13). The latest update introduces several new time-saving features and improvements in a variety of areas; from harness design to circuit simulation and parts management.

The software developer Altium is pleased to announce the availability of Altium Designer 22.6.1 Build 34, the PCB industry's leading design tool, allows engineers to focus more on designing and worry less about supply chain shortages.

The Altium development team is pleased to announce the availability of Altium NEXUS 5.6.1 Build 11, the PCB industry's leading design tool, allows engineers to focus more on designing and worry less about supply chain shortages.

Bereits mit der Single „Herzen kriegen keine Falten“ demonstrierte Ute Freudenberg einmal mehr, dass mit dieser Künstlerin weiterhin zu rechnen ist. Herzblut, Emotionalität und mit ihrem Publikum auf Augenhöhe sind nach wie vor die Eckpfeiler ihrer Kreativität. Gepaart mit einer unverwechselbaren und nuancenreichen Stimmfarbe, hoher Musikalität und dem Faible für zeitlose und dennoch zeitgemäße Songs sowie lebensbejahenden, nachvollziehbaren Texten erklimmt sie jetzt die nächste Stufe ihres künstlerischen Schaffens. Ute Freudenberg ist der Gegenentwurf von Belanglosigkeit, Wiederholungen und Beliebigkeit. Das gilt auch für ihr neues Album „Ich weiß, wie Leben geht“.

Ein Virus stürzt die Welt ins Chaos, zwischen Moskau und Kiew wetzt man blutige Säbel: Ja, die Welt ist am Arsch. Generationsübergreifend fragt man sich: Wie kommt man aus diesem ganzen Schlamassel wieder raus? Die Antwort darauf liegt noch irgendwo im Dunkeln begraben. Aber die Hoffnung stirbt bekanntlich zuletzt. Umgeben von grauer Tristesse und gefangen in einer beklemmenden Endzeitstimmung saugt man jeden positiven Lichtblick dankbar auf. Ein neues Donots-Album kommt da genau richtig.

KY is the name of Studnitzky’s multifaceted music project which is minimalistic yet full of layers and diverse sounds. In a stylistic departure from his orchestral project MEMENTO which earned him an ECHO Jazz Award, KY organic takes its aesthetic influences from electronic music and is performed by a scaled-down instrumental ensemble. What makes this album even more remarkable is that the elements were all recorded acoustically.

During his years in Vienna, Mozart wrote a series of keyboard concertos in which the soloist faces off for the first time against an orchestral part of symphonic aspirations. The famous D minor Concerto reveals this to particularly impressive effect, its dark passion and drama setting it apart from the rest of the series. The popular “Coronation” Concerto is geared more to the brilliance of its keyboard writing and impresses, rather, by dint of its radiance and charm. These two contrary works are at the same time quite complementary, in the sense that they portray the spectrum of Mozart’s art: drama and passion, glamour and grace.

In post-WW2 Britain, a young woman marries an old flame but after he disappears, and is later declared dead, she re-marries, only to be blackmailed by the supposedly-dead first husband who suddenly re-appears in her life, in need of money.