04 August 2023 The Guardian

Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique tone is as limber, piercing and present as ever, enveloped by a fresh quartet line-up – pianist Florian Weber, Bänz Oester on bass and drummer Gerry Hemingway – that navigates through the trumpeter’s idiosyncratically swinging compositions with a sixth sense.

A live set celebrating the group’s 50th anniversary loops in a 20-piece orchestra, rousing poetry and new improvisers among the hardcore veterans.

‘Little Eden’ glows with vintage McCartney-esque couplets before rolling out a chiming signature riff on ‘As I Lay Down To Die’ and adopting Jimi-like phrasing on ‘And Away We Go’.

The Danish String Quartet bring their highly acclaimed Prism project to its conclusion. In each volume of this series a particular Bach fugue is connected to a late Beethoven quartet which, in turn, is connected to a quartet by a later master: “A beam of music is split through Beethoven’s prism,” in the Danes’ words. “The whole approach invites active, committed listening,” The Guardian observed. “The group plays with virtuosity, intensity and tenderness.” The project has been eight years in the making. Now on the fifth and final volume, Johann Sebastian Bach’s chorale prelude Vor deinen Thron tret ich hiermit “opens up like a flower” (as Paul Griffiths writes in the liner notes) to preface Ludwig van Beethoven’s String Quartet No. 16 in F major. Anton Webern’s early String Quartet, composed in 1905 – and inspired both by Beethoven and Schoenberg – follows, and the programme returns to Bach with Contrapunctus 14 from The Art of the Fugue.

Pianist Satoko Fujii introduces a new trio with two younger and very active musicians on the Japanese jazz scene–bassist Takashi Sugawa and drummer Ittetsu Takemura–recording in 2020 at Pit Inn in Tokyo for their 3rd live date together, performing five lyrical Fujii original compositions, including "Aspirations" from her album with Leo Smith & Ikue Mori.