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CD-reissue of a noteworthy album from the Dutch psychedelic scene of the late '60s-early '70s. Reminding of fellow Dutchmen s.a. Cosmic Dealer, Outsiders ('CQ'-era), Group 1850 and late Q65, this album (originally dating from 1970) offers driving progressive/psych rock with lots of organ, howling guitars and functional use of echo.

Too Short discovered rapper Spice 1, who'd been born in Texas before moving to California. His self-titled debut was as vivid and fatalistic a gangsta album as possible, and his hard-edged, angry, and pessimistic rapping style and tone only added to the despair emanating from the disc…

I was sooooooo overjoyed when I saw this album for sale –- "Concert in Rhythm, Volume 2" is okay, but what I had mostly been interested in was the rare out-of-print "Perfect '10' Classics" album… I'd been searching for it for YEARS (I'd needed to replace an old cassette tape of this album that I'd WORN OUT from listening to it so many times, LOL!!!), and it had never been available. I absolutely ADORE these rich-toned light-hearted "bouncy" arrangements of the popular light-classical melodies! Highly, HIGHLY recommended! - Amazon -

30 years after his death, DG commemorates the quintessential Kapellmeister with a 42-CD set of Complete DG Orchestral Recordings presented in original jackets. In addition to the complete symphonic cycles of Bruckner (the first ever complete recorded cycle), Beethoven and Brahms, this set offers the entire Jochum orchestral recordings for DG for the first time. Several recordings appear on CD for the first time including recordings of Weber, Mozart and Beethoven.

Véronique Gens is one of the most acclaimed French soprano. ü She has recorded in 2005, 2008 and 2011 three recitals of operatic arias for soprano from the French tragic operas of the late 17th, 18th and 19th centuries from Lully to Saint-Saëns. Véronique Gens embodies the tragic heroines of the Antiquity such as Dido, Circe, Medea or Cassandra… ü Véronique Gens is accompanied by renowned French director Christophe Rousset and his ensemble les Talens Lyriques. ü These three recitals are the most successful she has recorded, with Les Nuits d’été by Berlioz. Véronique Gens has recently received again very good critics (such as the Gramophone Editor's choice) for her latest recital, Visions, released on Alpha Classics

Various Artists - Slow Grind Fever Vol. 1 & 2 (2014) {Stag-O-Lee Records STAG-O-051}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 356 Mb | MP3 @320 -> 178 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 2014 Stag-O-Lee Records | STAG-O-051
Rhythm & Blues / Rockabilly / Soul / Groove / Doo-Wop / Rock & Roll

The soundtrack to a smoky late night bar in Chicago, or a hot Sunday afternoon down at the Popcorn. If you feel the cold sweat of soul, and the cool chills of haunted crooners singing out their final swansong, or the sinful shakes of R&B in it's twilight years, then you have a bad case of Slow Grind Fever! This is a collection of haunting, hungry, heartbroken humdingers full of swing, sway and sleaze. With obscure B-sides sitting next to some of these great artists' last outings on wax. –Stag-O-Lee Records

Deep Skies 1: Light From Orion (2003). Forming the first release in Kevin Kendle's exciting new Deep Skies series, this is music inspired by the constellation of Orion. Orion contains some amazing features - supergiant stars, beautiful star-forming nebulae - these were the inspiration behind the amazing sounds on this album. All the hallmarks of the finest American space synth music pioneers of the mid-late eighties, combined with the best influences of artists such as Serrie and Stearns. But the sheer magical feel and atmosphere of the music sets it apart from even those great musicians…

This compilation in Verve's laudable Jazz in Paris reissue series features two separate soundtracks of original music. The first features a dozen works by French saxophonist Barney Wilen, written for Edouard Molinaro's Un Témoin dans la Ville, with a quintet consisting of Kenny Dorham, Duke Jordan, Kenny Clarke, and bassist Paul Rovere. While many of the pieces were only heard as musical fragments in the film, and several of them are little more than a brief chorus or two in recorded form, the music doesn't need visuals to be effective. Best is Wilen's sole appearance on soprano sax, the mellow duo ballad with Jordan of "Mélodie pour les Radio-Taxis." None of the tunes is particularly memorable, though the music is certainly enjoyable…