'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1990 to 1999.
Features 24 bit remastering and comes with a mini-description. A wonderful set by the enigmatic Charles Bell – a 60s modernist, but one with a great sense of soul! The album definitely lives up to its title, and has a fresh approach to the medium – a style that has some of the Modern Jazz Quartet influence in its structure, yet which also shares some more complex rhythmic ideas from the Ornette Coleman camp – mixed with a straighter hardbop vibe as well! The blend is quite compelling – and in addition to Bell's work on piano, the set also features Bill Smith on guitar, Ron Carter on bass, and Allan Blairman on drums. Titles include "Satan Said", "Django", "Portrait Of Aunt Mary", "Theme", and "Bass Line".
Studio portraits are usually shot under optimal conditions. Controlled lighting, seamless backdrops, maybe even professional hair and makeup. But there's still work you can do to make your subjects look their best in post. In this Portrait Project, Chris Orwig takes a raw file, makes foundational adjustments in Camera Raw, and then takes the image into Photoshop for retouching. There you'll learn how to retouch small blemishes, smooth and de-shine skin, and enhance color. Before and after comparisons along the way allow you to check your progress. Dive in now and start improving your portrait prowess.
Reissue with the latest remastering. Comes with liner notes. One of those great records from the 70s that makes you say "man, Phil Woods was hip!" The session was cut in London with an electrified big band led by Chris Gunning, and featuring keyboards by the groovy Gordon Beck – kind of a blend of strings, keys, and woodwinds – providing some lush backdrops that allow Phil to really open up on some great solos. The style is similar to Phil's album Images, done with Michel Legrand – but with some more electric touches – and like that album, it's got a wonderfully fluid, lyrical approach that's quite different from the harder-jamming fusion albums Woods cut in Europe. Titles include "Canto De Ossanha", "Sails", "Roses", "Without You", "Jesse", and "O Morro".
Features 24 bit remastering and comes with a mini-description. Throb is dominated by bassist Steve Swallow’s wonderfully complex and idiosyncratic compositions, although the great composer/arranger Michael Gibbs contributes three tunes as well. Talk about an embarrassment of riches! The combination of Steve Swallow’s bass, Gary Burton’s vibes and Richard Greene’s violin gives the band a unique texture. Given the instrumentation, there is a lot of country music thrown into the mix. Jerry Hahn is the guitarist here and contributes the usual wankery common for the period, but Swallow makes good use of him in the arrangements. It’s hard to pick a favorite, but I’d probably have to go for Steve Swallow’s hilarious Chickens, which is just what it sounds like..