10 The Buffs

Michala Petri adds her characteristic spright to this recording and the largos are pleasant as well. The concerto in F includes a bassoon part which adds bottom to the works on this CD as a contra to the higher-pitched recorder.The Philips recording quality on this CD is near flawless as well– there is a nice balance between the woodwinds on the one hand and the strings and the occassional harpsichord on the other. Overall quite a worthwhile and enjoyable addition to one's baroque-period collection.

Take a collection of classics by musical behemoths The Beatles, Kate Bush, The Sex Pistols, The Righteous Brothers, Brotherhood Of Man and suchlike, and perform them in a style as diametrically opposite to the original as one can imagine… Therein lies the manifesto that brought the world the wonderfully twisted take on pop music that is “Hybrid Kids”.

Emma Eames - The Complete Victor Recordings, 1905-1911 (1993) {Romophone 81001-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 426 Mb | MP3 @320 -> 356 Mb
Full Artwork @ 600 dpi (jpg) -> 43 Mb | 5% repair rar
© 1905-11, 1993 Victor / Romophone | 81001-2
Classical / Vocal / Historical

Before I start to write the review of Emma Eames complete victor recordings, I would like to say few words about her biography. Emma Eames(1865-1952) a native from Bath, Maine, made her debut on March 13, 1889 at the Paris Opera as Juliette in Gounod's opera Romeo et Juliette to Jean de Reszke's Romeo and became an overnight sensation. It is amazing,because she had no previous Stage experience. She later wrote, 'It was curious experience to go to the Opera as nobody, and to find oneself the next day the talk of two continents'.

Jazz bass players are typically heard and not seen, but the lack of Stanley Clarke pictures on this predominantly instrumental collection of some of his best work is still alarming. No photos and no liner notes other than track personnel make this appear like a quickie release, maybe one without much of Clarke's input. Regardless, the 14 tracks compiled here are some of the bassist's best moments from notoriously uneven albums recorded between 1974 and 1989, with two previously unreleased tunes waxed in April 1995. As a jazz-funk bassist Clarke is perhaps without peers, and his second, third, and fourth albums from 1974-1976 best captured that style before he deteriorated into second-rate disco and watered-down R&B in the late '70s and '80s…