No disease the world has ever known even remotely resembles the great influenza epidemic of 1918. Presumed to have begun when sick farm animals infected soldiers in Kansas, spreading and mutating into a lethal strain as troops carried it to Europe, it exploded across the world with unequaled ferocity and speed. It killed more people in twenty weeks than AIDS has killed in twenty years; it killed more people in a year than the plagues of the Middle Ages killed in a century. Victims bled from the ears and nose, turned blue from lack of oxygen, suffered aches that felt like bones being broken, and died. In the United States, where bodies were stacked without coffins on trucks, nearly seven times as many people died of influenza as in the First World War.
Economies are deeply complex systems. The global marketplace—even national, state and local economies—involve many economic actors behaving in rational and irrational ways, sustaining a dizzying array of interconnected activity. Because of the number of participants involved in this global exchange, the unpredictability of their actions, and the sheer variety of possible actions, some degree of economic uncertainty is inevitable.
Behemoth is a Polish blackened death metal band from Gdańsk. They are considered to have played an important role in establishing the Polish extreme metal underground, alongside bands such as Vader, Decapitated, Vesania and Hate. Over the years Behemoth has moved from traditional black metal into blackened death metal and then into modern death metal with each consecutive release. Until the late 1990s, the band played a traditional black metal style with heathen lyrical content, but soon changed to that of occult and thelemic themes written by their lead vocalist Nergal and Krzysztof Azarewicz. With the 1999 release of Satanica, the band demonstrated their presence in the death metal scene, while retaining their own signature style characterized by the drum work of Inferno, multi-layered vocals and Middle-Eastern influences.