I Solisti Italiani is a chamber string orchestra consisting of about 12 players, known particularly for their spirited readings of works from the Baroque and Classical periods. They have performed and recorded much Vivaldi over the years and have devoted nearly as much effort to the works of Handel, Mozart, Mendelssohn, and Rossini…
Winner of the Leeds Piano Competition at the age of just twenty, Rafael Orozco exemplified a new generation of virtuoso pianists who favoured musical expression over spectacular display. His Chopin interpretations were truly revelatory, finding poetry not only in the Préludes but also in the Études. Remastered from the original tapes in 24-bit, this double album captures the rare occurrence of a Spanish pianist tackling two all-encompassing collections in which the essence of Romanticism is distilled – a precious souvenir of the impeccable artistry of a star of late twentieth-century pianism.
This is a Series of TEN DVD bringing you ALL of the TV-studio and live concert-telecasts as well as ALL the promo-clips, that remain in the TV-archives round the world in chronological order.
Hotel De Prestige is a new release by Invisible Lounge and stands for high quality Lounge & Downtempo music.
Dalida was one of the most important female singers in the history of French music, yet she is hardly known in Britain or America. Her career spanned 32 years from 1956 to 1987, when she committed suicide. She recorded for the Barclay label until 1970, when she moved to her brother's label, Orlando. This collection contains (as far as I know) every song she recorded for Barclay in it's original form (no remixes here). Another massive boxed set is available covering all her Orlando recordings. The CD's that make up the two boxed sets were all made available separately.
Even though Vladimir Ashkenazy is most often celebrated for his brilliantly virtuosic interpretations of Romantic repertoire, his skills in playing works of the Classical era are just as worthy, as proved by this 10-disc set from London of Wolfgang Amadeus Mozart's piano concertos. These performances span a period from 1966 to 1988, capturing a youthful and vigorous Ashkenazy playing and conducting the Philharmonia Orchestra and the English Chamber Orchestra from the keyboard, in approved Mozartian fashion. All of the keyboard concertos are here, including the official 27 concertos for piano and orchestra, the Concerto for two pianos in E flat major, K. 365, the Concerto for three pianos in F major, K. 242, as well as the two Rondos K. 382 and K. 386. Ashkenazy's elegant playing has been highly praised by critics and placed on a level with his esteemed contemporaries Murray Perahia, Daniel Barenboim, and Alfred Brendel, all past masters of Mozart's primary medium of expression.