100 Hit

With 100 hit tracks spanning five discs, this budget set, which has a decided British lean, has no real discernible theme, but features plenty of rock and pop classics like Gerry Rafferty's "Baker Street," Glen Campbell's "Wichita Lineman," Steve Miller's "Fly Like an Eagle," Poison's "Every Rose Has Its Thorn," Al Stewart's "Year of the Cat," and the Band's "The Weight," as well as British hits from the Buzzcocks, the Ruts, and the Waterboys.

The Wedding Present have been unanimously despised by the British music press following a brief honeymoon period in the mid-'80s. When they announced their desire to issue a single a month for a whole year, one particularly caustic Melody Maker journalist pointed out that she now had two low spots in her monthly cycle to endure. It must also be said that RCA were not too enamored of the projected release schedule when David Gedge first put his idea to them. For many, though – including discerning onlookers like long-standing friend and supporter John Peel – The Wedding Present's single-a-month blitz in 1992 was one of the highlights of that year. The band were at their peak: They'd just recorded their best record, Seamonsters, with Steve Albini, and they were beginning to stretch their sound beyond the coy romanticism of old. However, the real joy of the singles – good as they were – was Gedge's esoteric choices for B-sides, including the Go-Betweens' "Cattle and Cane," Altered Images' "Think That It Might" (Gedge was a huge fan of their overlooked Bite album), and the Monkees' "Pleasant Valley Sunday." Diverting, original, and great fun.