100 Sideway Miles

This set features most of Davis' earliest albums for Columbia (some still recorded when he was with Prestige, but with their permission.) The sound quality is very good, and the albums selected for inclusion are nearly all essential in my opinion.

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue possess such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace – each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz – tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band – Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb – one of the greatest in history, playing at the peak of its power.

The three-disc anthology The Real…Miles Davis: The Ultimate Miles Davis Collection brings together tracks the legendary trumpeter recorded for Columbia during the '50s and '60s. These are some of Davis' best-known and most influential recordings when he was at the height of his pre-fusion, modern jazz career. Included are such cuts as "So What," "I Thought About You," "Stella by Starlight," "Milestones," and more.

Avid Jazz continues with its Three Classic Albums plus series with a re-mastered 2CD release from Miles Davis complete with original artwork, liner notes and personnel details. "'Round About Midnight", "Milestones", "Kind Of Blue" and plus two live versions of "So What".

Featuring rap vocals by Rappin' is Fundamental superimposed over a trumpet line by Miles Davis, this album is a Japanese import EP. The vocals are smooth bass and Davis' music is classic, but the lyrics are superficial and this concept has been much better executed before by bands like US3 and Guru. The remixes of each of the songs on this album don't add much to the collection.